#and i understand why she feels that way but i do think its well written lyrically even if sort of

[skania]

Final Akane + AquaKane Thoughts

There are so many things to say that I don't even know how to start organizing my thoughts lol I'll also be including my final thoughts about the "love triangle" while I'm at it, so this is probably going to get long!

I've written quite a bit about Aqua/Akane this past year, so I won't be going into detail into any of the things I've already discussed up to now. Instead, I'll just focus on my thoughts on this final set of chapters, as well as my overall thoughts now that the manga is over.

I'll start with the (few) things I liked:

The Good

I mentioned before that I'm a sucker for parallels, and that Aqua/Akane having so many is one of the reasons why I couldn't help but ship them. We somehow got some very good ones in these last few chapters. We even got a scene at the Aqua/Akane bridge, the one where Akane's relationship with Aqua began and ended.

Aqua saved her life at that bridge, without any ulterior motives. And it's that very bridge that is pictured as Akane says that she has decided to live on. The imagery is poignant and pays its respects to not only Akane's arc as a character, but also to the Aqua/Akane relationship.

More than that, the parallels we got confirm things that Akane and Aqua/Akane fans like me have been saying all along:

Through it all, Akane saw him as he is and embraced the broken him. Each time, she willingly chose to get closer to him. When Aqua tells Akane that he has been saved ever since he met her, I get it. I have no doubt that for Aqua, who has been desperately fighting alone for so long, being seen and understood and loved despite all his self-perceived flaws and the darkness in him must have felt like salvation.

Akane is the one who knows Aqua the best, the one who knows him the most, the one who sees him exactly as he is and who loves all of him. Akane doesn't romanticize Aqua's flaws and his self-sacrificial nature, and neither does she idealize his virtues. She just accepts him and does her best to support and understand him through it all.

Akane being the only one who can see through Aqua's plan is enough to prove this, but it's actually not the most meaningful way in which Aka confirmed it. The most meaningful way was actually this:

Usually, whenever Akane thinks about Aqua, she calls him Aqua-kun. However, throughout her entire monologue in the last three chapters, Akane never addresses him by name. She just calls him "You". The same "You" (君) that Aka emphasized in Chapter 63.

The "You" that encapsulates everything Aqua Hoshino was: both the Goro and the Aqua.

This was a very, very deliberate narrative choice that tells you that throughout the manga, Akane was the one who loved Aqua Hoshino exactly as he was.

Aka also uses another parallel to confirm that Akane was indeed lying to Kana when she claimed that she was over Aqua.

When she finally breaks down, Aka allows Akane to be honest about her feelings, and the parallel to the Aqua/Akane break-up tells us everything we need to know.

Akane never stopped loving Aqua. She has been in love with him all along.

Ever since they broke up, Akane has been sacrificing her feelings for Aqua in order to do what she thinks is best for him. Akane's priority has always been to see Aqua happy. She is willing to do whatever it takes to accomplish that. Back when she thought that Aqua needed to kill Kamiki, Akane was willing to shoulder that sin with him just so he wouldn't have to carry it on his own. When she realized that what Aqua truly wanted was to be free from his revenge, Akane was ready to deal with Kamiki on her own just so that Aqua wouldn't get his hands dirty. Then, when Aqua pushes Akane away, Akane becomes determined to stop him from killing Kamiki because she knows revenge is not what Aqua truly wants or needs.

But that's not all there is to it. Akane wants to be with Aqua, because she loves him. And it's precisely because she loves him, and because she thinks her love failed to save him, that she keeps her feelings to herself and is even willing to help another girl get close to him in her place.

So this chapter confirmed that the one who has been making the sacrificial play, the one who truly loved Aqua, was Akane. It is, essentially, the counterpart to Chapters 148 and 149.

It's no wonder, then, that Akane's feelings and her grief are the ones we follow immediately after Aqua's death. She goes to mourn him in the place he actually died, and when she's around his family, she keeps her pain to herself in order to not worsen their burden. We see her piece together what happened, we see her break, and then we see Akane put herself together and find some solace in knowing that Aqua kept her away to protect her.

Aqua is gone, and Akane is the only one to know Aqua's truth.

A lot of people spent the entire manga trying to downplay Aqua's relationship with Akane; claiming that it was a lie, a manipulation, or what-have-you. Now that the manga is over, we can say those claims were never proven.

At the contrary, until the very end, Aqua's thoughts & actions in regard to Akane were shown to back-up everything he said about her during their relationship.

Aqua could've lived if he had asked Akane for help in killing Kamiki, but he didn't want Akane to get her hands dirty for him. He broke up with her to not bring her down to hell with him, and when the options were to either die alone or make Akane bear the weight of a sin with him, the choice was quickly made.

At the end, he's even shown wanting the same thing Akane wanted: an equal relationship with her.

Unlike his thoughts about Kana (more on that later), which are just a 'might', this is something Aqua is purposeful about. It's something he is sure he wants. It's even the last thing he thinks of before wanting to see Ruby at the dome, which we all know was his dearest wish.

This also fits the panels chosen to be shown in the "romance" part of Aqua's montage: the moment he doesn't catch Kana's ball (symbolizing that their feelings don't connect) vs the moment where he chooses to kiss and date Akane for real.

Which brings us back to the moment they broke up. That chapter was titled "Going Astray" and we now saw where that wrong turn led Aqua: to his death.

So chapter 98, the Aqua/Akane break-up, is pretty much officially the chapter that leads us to the ending we got.

Which means that what I said back in this post still applies. If Aqua and Akane had been honest with each other during that phone-call in Chapter 97, things could've been different. But truth is, it's nearly pointless to think about it, because what this all comes down to is that Aka wanted this ending and he wanted it at all costs.

So nothing could have happened any other way, because Aka didn't want Aqua to be saved. He wanted Aqua to die so he could have his forced "bittersweet" ending.

This is why Aqua and Akane had to break up, it's why Akane is practically not allowed to interact with Aqua again after their break-up, and it's also why Akane never found out about Aqua being Goro's reincarnation.

Aqua was never meant to be saved, and Akane more than anyone could have saved him. So, of course, Aka couldn't allow her to do so. It's forced writing at its finest.

This is also why Akane isn't involved in Aqua's fatidic confrontation with Kamiki. While there is Aka's typical contrived writing involved in Akane leaving Aqua to his own devices at the most crucial moment, I do think it makes sense.

I've mentioned before that from the very beginning, Aqua and Akane's relationship has been based on trust and on choices.

Aqua once gave Akane a choice, trusting that she'd be able to choose what was best for herself. After Akane made her choice, Aqua did everything in his power to help her accomplish her goal.

Ever since, Akane has been trying to do the same for Aqua.

Akane wants Aqua to choose what's right for himself. She will always respect whatever it is that he chooses, as long as it is a true reflection of what he wants and needs. This is why Akane was eager to stop his plan to kill Kamiki, she could tell that Aqua was ready to sacrifice his own future to accomplish it.

That's why, once Aqua chooses to let Kamiki live, Akane is reassured.

Something has changed in Aqua. Akane notices this and believes that Aqua has, finally, chosen to not throw his life away just to deal with Kamiki. She trusts that he has.

Personally, I'd like to believe that Akane was right. Problem was that once Aqua knew for sure that Kamiki couldn't be saved, he switched back to his original plan. Something Akane couldn't have foreseen without knowing that Aqua was the reincarnation of a dude whose issues made him suicidal... which is yet another reason why Aka could have never let Akane find out about the whole reincarnation business.

So all in all, Aqua/Akane-wise, this is all well and good. On paper.

When it comes to the execution however, it leaves a lot to be desired, because Aqua/Akane is sadly majorly brought down by the spectacular way in which Aqua's character was (mis)handled during the second half of the manga.

The Bad

Goro has always been someone who thinks his life has no worth, and this belief is deeply ingrained into Aqua. That's why I could tell that his revenge plan likely involved killing himself and making it look like Kamiki did it.

I just didn't think that he would actually succeed, because it kind of goes without saying that the suicidal character getting to kill himself is far from being a satisfying ending. Even less so when said character has shown time and time again that he actually wants to live, he is just too broken by his guilt complex to believe he has that right.

For a while there, it even looks like Aqua will make it. That he has once again started to embrace that this is a life that he wants to live.

Sadly, once Aqua realizes that Kamiki can't be saved and that he poses a danger to Ruby, all of that flies off the window and "Goro" takes over. And by "Goro" I don't mean Goro the character, I mean all the bad habits that Aqua has due to his guilt-complex and survivor's guilt.

So Aqua goes and executes his original plan, killing himself instead of looking for a better solution. Which means he started off like this:

Only to end the manga pretty much the same way, except you can switch "If Ai's gone, this world isn't-" for "As long as Ruby can live on in this world."

Though, actually, it's even worse than that, because Aqua realizes that he was wrong — dying would bother him — only when it's too late.

It leaves a bad taste in my mouth because it's like Aqua had no development through the entire manga. Cut everything after his break-up with Akane and nearly nothing changes, except the motive behind Aqua throwing his life away: protecting Ruby (Sarina) instead of revenge.

It all feels even more pointless because Aqua's death rings hollow due to how badly his character was mishandled in the second half of the manga. After the break-up, Aqua becomes a "..." bot. His character isn't allowed to grow and neither is he allowed to explore his feelings in any meaningful way, to the point that he dies confused and not knowing who he was.

Pardon my bluntness, but how pathetic is this? 160+ chapters and literally none of this guy's issues were ever solved. His character goes nowhere, only so he can be sacrificed to make the ending bittersweet for Ruby. Though for me it wasn't even bittersweet; the ending fell flat on its face precisely because Aqua's character never goes anywhere, so it's hard to feel anything other than vague frustration and disbelief at how forced the writing is.

Even the Kami/Ai - Aqua/Akane parallels were wasted because both ships ended up in the exact same way: Akane and Ai both unable to save Aqua and Kamiki. I wouldn't even be surprised if those parallels are something Aka came up with on the spot while writing the Ai DVD.

I'm sure some Aqua/Akane truthers will say "all Aqua and Kamiki needed to be saved was to be with Akane and Ai, and Akane and Ai didn't realize that" and leaving aside my issues with that kind of co-dependency, once again, that's all well and good — on paper.

Sure, those of us who ship Aqua and Akane could see it that way if we wanted to, but... did Aka make a point of clearly stating this? No, he left it to the reader's imagination, which means it's just another blank to be filled with headcanon.

Personally, I'm pretty tired of doing that, because everything there is to like about the manga may as well just be the headcanons we have filled all those blanks with.

I always say that I prefer showing and not telling, but there's a limit to everything. Truth of the matter is, if this was supposed to be the case — and especially if it was supposed to be important — then showing isn't enough. Because the majority of readers aren't going to spend hours breaking down every single Aqua/Akane interaction to draw those parallels and reach that conclusion.

Aqua dying soothed by a song by his favorite idol (Ruby/Sarina) doesn't really do it any favors either, because fact of the matter is that people who were never invested in the Aqua/Akane relationship will just assume Aqua never loved Akane back. They'll be more distracted by Kana's tropey, shallow shoujo romance, and this is something Aka allowed in his manga right up to the very end.

Aqua and Akane were the only relationship in the entire manga that got mutual, gradual, organic, continuous development. But this all came to a halt when they broke up, so at the end of the day, they're mostly left up to interpretation.

It's underwhelming.

Most of all, if you ask me, it was a terrible move, because Aqua and Akane could've been the heart of this manga. If their feelings had been properly explored after their break up, if Aqua had been allowed to think of Akane in his last moments, if all this blank-filling had been actual text, they'd have been a tragic love-story for the ages.

But Aka didn't want it to be the heart of the manga, because he had already decided from the beginning that role should go to Aqua and Ruby. Alas, he completely failed at developing that, too, because to the very end there's only Goro and Sarina. That is the entire basis of the Aqua/Ruby relationship and dynamic, and it gets one single chapter where it's explored beyond that, only to immediately focus back on Goro and Sarina as Aqua lies dying.

Goro couldn't save Sarina in his first life, so he wastes his second to do it. He jumped at the chance to free himself of the burden of that guilt without even bothering to think of how much his death would hurt the very person he wanted to protect.

Which takes me to...

The Ugly

Turns out Kana was pretty much just a mixture between Fujiwara and Maki, after all. Except that unlike Maki, she never grows (Aqua literally has to die for her to do so) and unlike Fujiwara, she's overused instead of underused.

Aqua and Kana are portrayed as shallow to the end, and I'd even go as far as saying that the narrative pokes fun at Kana for it. Even during the funeral, she puts on a hat that's reserved for family members and it literally falls off her head when Miyako slaps her lmao

Since this is a manga and not real life, the way Kana's outburst was handled in that chapter is likely meant to be contrasted with the way Akane's own grief was handled, because it pretty much embodies all the differences between both of their relationships with Aqua through the manga.

Kana is focused on herself and on her pain. She thinks Aqua was murdered, but she still irrationally blames him for it, too blinded by her own pain. Aqua was murdered, but not being able to confess to him properly is still at the top of her list of grievances. She is also shown overplaying that one conversation she had with Aqua about Aqua having a death-wish, as if Aqua somehow agreeing to not say that he wants to die was some vital promise that he broke.

Meanwhile, Akane focuses on Aqua. On what Aqua felt, on why he did what he did, and on what he would have wanted. Even her wish to be by Aqua's side is expressed through Akane saying that she'd have been willing to shoulder his burdens with him, no matter where that led them. It is also Akane's understanding of Aqua that helps her to find some solace and to overcome his death.

Kana always looked at Aqua from the outside-in, idealizing and romanticizing him, while Akane was Aqua's partner in every sense of the word. That's why Akane gets all the insightful narration about Aqua while Kana just gets to make a fool of herself at his funeral.

So to the very end, the dichotomy between "Ai" and "Koi" does perfectly illustrates the contrast between the two sides of the Aqua love triangle.

Kana was infatuated with the Aqua that she built up in her head, and focused on what she wanted Aqua to do for her (support her unconditionally), and what she wanted to be for him (his only idol), rather than on Aqua himself as a person.

As for Aqua, during his last moments, most Aqua can say about Kana is that it might be good to respond to her feelings. Might. He spends the entire story knowing Kana is at his beck and call, he even makes fun of her for it (you're so easy to manipulate, yadda yadda), yet when the opportunity to date her presents itself, most he can say is essentially "it could be cool I guess." He even pictures her pulling on his arm to get his attention, while with Akane, he pictures himself facing her and looking straight at her.

So to Aqua, Kana was at most a teenage crush. His feelings for her weren't deep or relevant enough to have any sort of impact on his character, while he outright called the year he spent dating Akane his happy days. An entire year that he spent without Kana even being in his life, mind you. Meanwhile Kana was out there living an entire shoujo where she's the heroine and Aqua is the male lead 😂

That said, I still think Aqua, who I'm sure must've broken a record at being bad at understanding his own feelings, was likely mistaking admiration for romantic attraction, and that he would've realized this pretty early into dating Kana.

The anime is even clearer about this because Aqua's reactions to Kana are paralleled to Akane's who is, quite literally, a fan of Kana.

But even if he wasn't, it doesn't really matter, because it's shown very clearly that Aqua deeply values being understood (to him, it feels like salvation) and that Kana doesn't really understand him. So had they dated, Aqua would've had fun at first, sure, but his emotional needs wouldn't have been met; instead his job would've been to meet Kana's. It just would've never worked in the long term.

Now that the dust has settled, I can say for certain that if Aqua had been allowed to have a happy ending, it'd have been with Akane.

So once more, this is all fine on paper. The problem is that Aka takes it too far. The whole Kana business takes too much panel time for no discernible reason other than to... bait readers? I've even seen some say that Aka intended to mock them.

But even if that were the case, considering that those same readers are likely going to walk out of the story thinking Aqua and Kana are a tragic ship that loved each other because of all the bait, who's really the butt of the joke? Them or Aka himself?

Conclusion

I've always been pretty clear about being an Akane fan first and foremost. Despite all my Aqua/Akane meta, I had no emotional investment in whether she ended up with Aqua or not, as long as she got a satisfying ending. That said, by principle, I most definitely didn't want Aqua to end up with Kana, because that'd be like rewarding Kana for all her crying and whining when she never even tried to understand who Aqua was as a person and I've already gone through that in Naruto, thank you very much.

So the two silver-linings about this ending are that Akane stayed amazing to the end, and that Kana didn't have Aqua handed to her on a silver platter. But considering just how much panel time Kana's meaningless crush takes up in the narrative and how side-lined Akane got after the break-up, it feels like a pyrrhic victory lol

Akane is still the best thing about the manga, and I'd say that she got by far the best ending of the bunch. I'm not sure if I'd call it satisfying, because Akane's one goal was always to save Aqua and she didn't get to accomplish that. But at the very least, she got a good ending, all things considered. She got to protect what Aqua entrusted to her, and she got to show just how emotionally strong she is.

As for Aqua and Akane, AquaKane could've been incredible if only Aka had done them justice, but he didn't. I joked before that the Aqua/Akane development was so good that it's like it wrote itself, and I actually think that's exactly what happened. Aka made things up as he went along, and he allowed Aqua and Akane to develop together in ways he didn't necessarily plan nor foresee. But as soon as he started heading towards the ending he envisioned, he dropped the ship and left a lot of it to the discretion of the readers.

While I'm sure that'll be enough for some, I'm afraid it's not really enough for me. If you were to ask me if I'm satisfied with the way they were handled, my answer would be: not really, but it certainly could've been worse lol

In my opinion, they're the biggest wasted potential in the manga (which is saying something, because the entire manga is wasted potential), and their potential was wasted simply because they're the ones who could've actually led us to a happy ending.

Aka didn't want that ending, though. He cared for his vision more than about his characters, and his vision was literally just an ending where poor Ruby would be a star that shines brighter "the darkest things get". Nothing else mattered. LMAO. As if Ruby hadn't already gone through enough!

Oh well, at least we're finally free!

[aspoonofsugar]

So you said Oshi no Ko is inspired by Monster. How do you think the endings compare?

.

Hi!

Thank you for this ask, I wrote about the comparison between the two series here. As far as the twon endings go, well, I think Monster's is masterful, whereas Oshi No Ko's is mediocre at best. It is not a narrative disaster exactly, but it is not good and since the rest of the story is very well written... well, the drop in quality is felt.

So, let's go with the comparison. First of all, for whoever does not know about Monster (and should) here is a synopsis and a quick foiling between the series and OnK.

NAOKI URASAWA'S MONSTER

Monster is one of Naoki Urasawa's work and a masterpiece to be honest. Here is its premise (spoilers! also read this story, if you have not and disliked Oshi No Ko ending... or in general just read it... it is wonderful).

Kenzo Tenma is a Japanese surgeon working in Germany during the Cold War. He is a prodigy, so his superiors usually assign him the cases of rich and important people. One night he finds himself in front of a choice. A child, Johan, arrives at the hospital with a bullet in the head and some minutes later he is ordered to operate on an influent politician. However, Tenma chooses to make the ethical choice and saves the child. This costs him his career, but he still feels he did the right thing. Some time later both Johan and his traumatized twin sister Nina disappear, just when Tenma's superiors all mysteriously die. As a result, Tenma becomes the head of the clinic and manages the hospital in a way it helps as many people as possible. Still, ten years later Johan comes back into his life and it is revealed that not only he is the one who killed Tenma's superiors, but also that he is a serial killer. Tenma and Nina go through parallel journeys to try to both stop Johan and discover more of the twins' mysterious past. Meanwhile, Tenma's ex Eva and Inspector Lunge look for Tenma for different reasons. Eva wants to both go back together with Tenma and get revenge on him. Lunge believes Tenma is the culprit behind Johan's mysterious streak of murders.

As you can see, there are some similarities with Oshi No Ko:

Monster is the story of a surgeon, who must track down a serial killer whose life he has saved. This monster is one of 2 twins and the story deals with the brother and sister uncovering their past

Oshi No Ko is the story of a doctor, who is murdered and reborn as his favourite idol's child. Together with him there is a twin sister and they must uncover their mothers' past and killer.

In short, in both series there is a pair of twins and a murderer. It is just that in Monster the twins have no memories nor sense of selves, while in Oshi No Ko they have too many memories and baggage.

In both stories, there is a villain (Johan and Kamiki), who is both victim and perpetrator and difficult to understand. This villain is a satanic archetype, who is excellent at manipulating people. He is a serial killer, who reiterates the traumas of his past over and over, out of a sense of emptiness.

Finally, in Monster the characters must uncover the truth behind Johan, while in Oshi No Ko they must find out who Ai really is. The former is about understanding a monster, whereas the latter is about empathizing with a goddess.

Now that we have the basic foiling down, let's try and explore the two endings. Monster's fully explores the theme it set up to explore. Oshi No Ko's instead doesn't. Let's see why.

JOHAN VS AI

Both Monster and Oshi No Ko have a main protagonist (Tenma and Aqua), who is trying to solve a mystery centered on another person (Johan, Ai). As a result, both Johan and Ai find themselves at the centre of the story. Readers keep on reading because they wanna uncover the mystery behind these two characters. Who is really Johan and why did he become a monster? Who is really Ai and what was she lying about?

However, the two series' payoffs are very different.

On the one hand Johan stays the heart of the story from beginning to end. His past is slowly revealed and there are several twists, which add depth to his character, while keeping the mystery strong. Finally, the very last chapter is called "The True Monster" and it offers a final interpretative key to understand Johan. Basically, up until the very end, Johan remains the key character and up until the very end there are things left to discover about him. His story is intertwined and foiled with that of everyone else's. From Tenma to Nina, to Eva to Lunge to Grimmer... everyone is a foil to Johan.

On the other hand Ai stays at the heart of the story up until the arc, which should be about her. The movie arc is where Ai progressively disappears from the narrative. Her role is slowly overtaken by Hikaru and later on Hikaru too disappears, so that Aqua can have his sad pretty boy moment :P. The story sets up a mystery about Ai, but it solves it at the very beginning with the climax of her arc. The story promises more about her, like an exploration of her idea that loving someone is to lie to them. However, when the time comes to explore this mentality, its toxicity and its contradictions are glossed over. Everything is overly simplified, so that there can be cheap twists.

The big reveal about Ai is that she truly loved Hikaru, even if she herself did not fully understand it... However, this was something clear even before it was told. Now this is not bad per se, but for this reveal to have any impact, it should have been built up differently. Ai's love for Hikaru, either good or wrong, should have been explored more and problemitized. For example, it is obvious Ai loves Hikaru when they meet... but would she love him even if she knew he would have turned out a killer? Would she have forgiven him, even if Hikaru had tried to hurt Ruby? Did Ai know it was Hikaru killing her? Or did she not know? A lot could have been done, for example, with the white rose... She could have understood it was Hikaru, if this flower had any particular meaning in their relationship... Actually I was waiting for the flowers to become meaningful, but then they did not. Rather it seems Hikaru started using them as his signature flower after Ai's death.

Not only that, but Ai's own children do not even have to struggle to empathize with her and discover how she felt, Ai herself told them directly. Overall this revelation, which is built up from the beginning ("Will Ai forgive Hikaru or not?") literally means nothing. Aqua isn't conflicted about it, Ruby delivering the line, where she forgives Hikaru in the movie is not even shown. Finally, Ai's feelings do not change Hikaru, nor have any real impact on him. Neither for good nor for worse.

Let's highlight that Monster does have a similar moment, where a character empathizing with another is framed as too little too late:

Here, Nina finally forgives Johan for his crimes. She does so as she is finally able to remember their shared past, to accept it and to accept herself. Her act is first of all an act of self-forgiveness and shows her growth from a traumatized girl focused on revenge into a forgiving and empathetic person, able to embrace the good in the world. It is the climax of her personal arc. However, her forgiveness does not change Johan nor stops him. Johan says it is too late and is ready to either kill or be killed. His line about how "some things can never be amended" refers to both his own crime and Nina's previous refusal of him. He refuses to forgive both himself and Nina. And yet, Nina's choice still matters. In fact, even after Johan refuses her forgiveness she sticks to it and when she gets the chance to let Johan die, she doesn't and insists he must be saved.

Ai's love and forgiveness of Hikaru is instead glossed over, as it is her final wish. Again, this would be fine if it was given any depth. It could have been framed as Aqua and Ruby having to dismiss Ai's final wish as a way to truly live their lives. Not held back by Ai's memory, as painful as it was. A way to let Ai go. Instead nothing of it happens. Ai is in the end nothing more and nothing else than the character so brilliantly summarized by the song "idol". Nothing of which we discover about her comes close to the power of her introduction and death. It is a pity because her relationship with Hikaru, her confused feelings of love and her choice to forgive him (or not) could have been great.

NINA AND JOHAN VS AI AND HIKARU

Nina and Johan are like Ai and Hikaru, as they are an exploration of how different people react to trauma.

Nina represses her bad memories, whereas Johan clings to them. That is the difference between them:

Nina refuses her trauma. She builds an identity that negates everything her trauma represents. She forgets about it all and when she tries to retrieve her lost memories through hypnosis, she tries to strangle her therapist.

Johan embraces both his and Nina's trauma. He builds a self identity that is everything their trauma represents. He is so scared of being nobody that he mistakenly confuses what Nina shares about a traumatic event with his own memories.

So, you see... Nina is a protagonist and Johan is a villain, but the point of their foiling isn't that she is good and that he is bad. Actually, the point is that Nina can be good because she has been relying completely on Johan to protect her. She has been burying her own memories, so that she could depend on Johan's violence to survive. Of course this is not done on purpose and it is a tragic consequence of the twins' tragic childhood. Still, what seems as a very straightforward case of good twin and evil twin turns out to be far more layered and complex.

The same isn't true for Ai and Hikaru. Ai and Hikaru's foiling stems from the fact they are both objectified by others. They are idols, objects of adoration and they resent this situation. They suffer and are unable to forge a real relationship with another person. They literally do not know how because they are both objectified by others, so they objectify others in return. Ai wants to love Hikaru, but is not sure of how to do it. Hikaru ends up idolizing Ai, like others do. This is an interesting premise, which would have been perfect to explore the main theme of objectification and love... except the series doesn't.

The solution of Ai and Hikaru's foiling isn't that you should not idolize others... even if the idea seems to be suggested multiple times throughout the story:

The solution is that there is a positive idolization:

And a negative one:

So, Ai is a good idol because she accepts the love others give her, loves them back and brings them joy.

Hikaru instead is a bad idol because he uses his influence on others to hurt them.

Now, I do not hate this foiling tbh. I think again that with the proper exploration it could have been fascinating. I also think the series never meant to negate the fact entertainment and idols can bring joy, fun and inspire others. Still, you can't introduce a third dimension to your theme (people should not be objectified) and then go back to a white and black vision. It creates a dissonance, if done poorly. And I think here it is so.

NINA AND JOHAN VS RUBY AND AQUA

As explained above, Nina and Johan are a twist on the evil twin and good twin. In particular, Johan willingly acts as Nina’s shadow.

The shadow is everything the person represses and does not want to see about herself. It is a concept that truly fits Nina’s character After all, when we meet her:

She is running away from the darkness and violence of her past.

Nina is determined not to really face her shadow. This is why she represses her memories, tries to kill Johan when she discovers what he has done:

And tries to kill him again after she remembers him as an adult. However, you can't kill your shadow. You can only accept it. Nina does not and symbolically her attempted murder of Johan leads Johan to grow more and more desperate until he spirals completely.

Ruby and Aqua play with light and darkness, as well. In a sense, Aqua does try to act as Ruby's shadow as he is the one who is ready to face darkness and die, so that Ruby can keep on shining brilliantly and live.

By the end Aqua dies for Ruby's life, but in his last moments he wishes to live:

I would not be surprised if Ruby kept on living, despite the darkness she feels inside:

That said, both Ruby and Aqua have a dimension, which is never fully explored:

Aqua and Ruby have moments where they lose the star in their eyes and get the chance to simply be people. However, this dimension is never fully addressed (especially for Ruby) and quickly disappears. Once again the dimension, where idolization can be refused is only brought up briefly and never truly explored.

Finally, both Johan and Nina and Ruby and Aqua have an unhealthy obsession with each other, with some incestuous subtext. Still, this obsession is treated very differently.

Johan sends his sister flowers and tells her "he was born to smother her with flowers". He is also obsessed with her and at one point he crossdress as her (also to confuse the people who are following him). Still, this obsession is presented for what it is: wrong. Not only that, but despite the creepy flower lines, Johan and Nina's relationship is never presented as sexual. Johan is obsessed with Nina and organizes his whole identity around hers... Still, there is no kiss, nor love confession nor attempted rape. The subtext is used in the beginning to convey Johan's obsession and disappears as the story progresses and we get to better understand why Johan is obsessed with Nina.

Aqua and Ruby's incestuous subtext is instead never solved. Personally, I was not so outraged by Ruby having feelings for Sensei, cause I thought it was something she had to overcome in order to grow up tbh. I saw it as a freudian motif, an obsession Ruby would have overcome as she finally leaves Sarina behind and embraces her new life. However, this does not happen. Ruby straight out tells Aqua she loves him and this is never addressed again. Aqua has an inner monologue about how he loves Kana and the person Ruby loves was his past self... But this is not the point. The point of such a plotline, if you wanna insert it, should be that Ruby has to get over Sensei, realizing she never truly fell in love with him... but rather that hers was a simply infatuation. A precocious crush and nothing more. Instead this never happens and ends up being completely irrelevant and taking away time that could have been used for more relevant plotlines.

JOHAN VS HIKARU

Finally, let's talk about Johan and Hikaru. Both characters want to do the same thing: they wanna deconstruct the Freudian Excuse trope:

The writers have a villain, and they want to give that character some depth. The obvious solution is to Pet the Dog. Unfortunately, that tends to make the character less scary, causing Badass Decay and Villain Decay. Instead, writers may keep the villain (especially The Sociopath) just as vile as before, but reveal that they have a reason for being that way. The most popular one is the Freudian Excuse: the villain had an abusive and particularly violent backstory (such as Abusive Parents, being bullied by peers, being raped in the past, etc.), making them insane and warping their perception on the universe, and that's why they're sociopathic Serial Killers going on a Roaring Rampage of Revenge, or why they want to destroy everything out of their misery, or why they're Straw Nihilists who adhere to The Social Darwinist philosophy that it's a Crapsack World where Might Makes Right.

Both are young men, who went through horrible traumas and were turned into monsters. Still, Johan deconstructs this trope successfully imo. Hikaru instead doesn't.

Johan's story keeps on presenting and subverting or deconstructing popular tropes associated to villains:

At one point he says there is a "monster inside of him". Nina takes it at face value and thinks Johan has a double personality. However, this is proven false. It is a simplistic black and white solution to Johan's mystery, which is quickly discarded.

Secondly, Tenma discovers Johan as a child was taken into an abusive environment, where experiments were taken on children, to the point they would lose their humanity and memories. Obviously he believes this is what warped Johan. Except this is not the case... Johan was already a killer when he joined this abusive environment. It obviously had an effect on his psyche, but it is not what "created him".

Thirdly, it is revealed one of the twins witnessed a horrible and violent massacre. Everyone, including Johan himself, believes it was him who saw all this, becoming traumatized. Except it is finally revealed Nina is the one who saw the massacre play out, then she told Johan and eventually repressed this horrible memory. Johan instead made this memory his and tricked himself into believing he had really witnessed the whole thing.

So, Johan's story is one which masterfully deconstructs popular tropes. He was not changed because of one bad day. His self is the resulf of all his life: it stems from his weak lack of self, his and Nina's trauma, his fear of being betrayed by adults and his wish to protect Nina. Everything we discover helps us understand him, sure. However, it does not excuse him because Nina too underwent the same experiences and did not become a murderer (even if she could have).

Every twist does not detract from what we previously knew, but adds to it and it creates a character, who is both a monster and human.

Hikaru is instead reduced to a very cheap "cool motif, still murder". He is introduced as horrible since he is shown killing an actress. Then, he is humanized throughout the movie arc and he is given complexity. Some revelations are potentially interesting... Like the fact he did not willingly kill his rapist (I thought he did) and the idea he did not even mean to kill Ai. However, everything is then sacrificed to turn him into a big bad and a monster. Now, tbh I actually LOVED the twist Hikaru was the final villain. I had found the happy ending very cheap and I thought that this twist was there, so that we could have had a more gray conclusion, with some deep dive into Hikaru's head. An exploration that showed how he was a villain and maybe lost, but also that explained to us his reasoning and showed him as very human.

I would have loved if his confrontation with Aqua and a later confrontation with Ruby could finally wake him up and let him see his children as people, instead than tools to just reiterate his obsession for Ai. Like, I even think Aqua set up the perfect chance for redemption for Hikaru. As in the end, he could have taken the fall for the ONLY crime he did not committed, that is Aqua's attempted murder. So, that he would go to prison leaving Aqua and Ruby to live as they wanted. instead, we have a character, which was presented as complex reduced to a caricature of himself. By the way, if you wanted to show Hikaru was too gone... I think you could have done it... but you can't add complexity to a character and then take it away. If you do so, then you are bound to make people angry.

Again, Monster does successfully present Johan as a monster. He does a lot of horrible things and by the end you, as a reader, do not really have to forgive him. The story even lets enough space for you to wonder if the characters did the right choice into saving him. Moreover, Johan's past does not justify his actions in any way. Still, whatever you might think about Johan morally, you arrive at the end of Monster with the acknowledgement that Johan is a person. Not only that, but the point is that he is a monster PRECISELY because he is a person. It is his humanity, which turns him into a monster. Just like his humanity might help him become a person once again.

SECONDARY CHARACTERS

Without going too deep into this, but Monster has two other main supporting characters, other than the 3 main protagonists (Nina, Tenma and Johan). They are Lunge and Eva. Both of their arcs complement the themes, both are gorgeous, tie into the story and are completed. They advance the plot and subplots, but they are not sacrificed to it. In particular, Eva is a great example of how to take an overused misogynistic trope (the crazy ex-girlfriend) and how to make a wonderful character out of it. Eva is initially a horrible person, she is selfish, a woman-child, obsessive. She is also hurt, lonely and suicidal. As the story goes on she blooms into her self. She spends the majority of her story wanting to get back together with Tenma. And Tenma save her multiple times. However, by the end it is not through Tenma that she changes. She develops thanks to the meeting with another character. And in the end she ends up alone. Her arc is that she needs to stop depending on others and must forge her own life.

In comparison, Kana and Akane start the story as two wonderful characters. They have their own arcs, they tie into the plot and into Aqua's arc. However, they also feel, as if they have their own subplots, as well. Except that by the end, the ball is dropped and both are reduced to pieces of Aqua's harem. Their individual arcs do not matter to the story anymore. The relationship they have with each other, which is set up as extremely important, is left unexplored. Their contribution to the story is that they are both in love with Aqua, but their loves for him are not challenged. Kana is in love with Aqua's mask and never gets to discover the real him. Even if she is set up as his love interest since their first meeting. Akane's love for Aqua is set up as an obsession and a lie, something she needs to overcome, so that she can have a real relationship with him. One rooted in respect and friendship. Still, she is left crying, idolizing Aqua and regretting that they could not have killed Hikaru together. All of this is kind of distasteful imo.

THE ENDING

In general, Oshi No Ko's fake happy ending is Monster's ending, but cheap.

The character set up as the monster (Hikaru/Johan) is given complexity

The main girl (Ruby/Nina) forgives him and symbolically saves him

The main protagonist (Aqua/Tenma) eventually lets go of revenge and in this way he saves himself

The character at the core of the series (Ai/Johan) is finally understood and their mystery is solved in a way that frees the characters

Still, Monster does this in a way, which is real. Nina and Tenma has to struggle with forgiving Johan. Up until the end they are unsure of what their choice will be: murder or forgiveness. Aqua and Ruby's choice to forgive Hikaru is glossed over. It could have been such a cool opportunity especially for Ruby's arc. Where her forgiving Hikaru (her parent) as Ruby might have tied with her forgiving her parents as Sarina. It could have been a way for her to find closure.

However, the author preferred to use all Monster's trope in a cheap way to justify a dark twist and a tragic ending, which is not as powerful for the simple reason the story itself is not written as a tragedy.

It is funny really because often people think tragic ending are more powerful than positive one. More cathartic. And they can be. However, in this case, Monster's positive ending is way deeper and more cathartic than Oshi No Ko's superficial one, which is rooted in shock value.

[katiemccabeswife]

Awkward Conversations Outfits

Alexia Putellas x Teen!Reader || Alexia overhears a conversation and assumes the worst, leading to a confusing and awkward conversation.

she wrote something! i apologise for the lack of fics but i don't want to give you guys some half-assed writing that i'm not proud of, and i haven't written anything anywhere near my own standards lately (not that i've been able to finish anything) so i hope you enjoy this and that i can get back into the grove of writing and give yous some more fics x

"And then once I think I've figured it out, I second guess myself and think it's too ugly and that I'm going to be judged and then when I look around, there's just clothes everywhere and all I wanna do is out on my frumpiest sweats and cry into my pillow! I don't understand how you guys do it!" Alexia was stunned to hear you rant so freely about a subject she had never heard you utter a word about.

She walked through the door halting your conversation, "Hola, chicas!" She announced herself and watched you slump back into your chair while Ingrid and Frido shared a glance.

"Hola, Ale," You grumbled out, disheartened.

Ingrid struck up a new conversation between the four of you as the rest of the team began to trickle into the changing room. Alexia remained silent though, trying to come up with a reason as to why you wouldn't come to her about this sort of thing, why it had to be Ingrid and Frido you chose to confide in. While it would definitely be an awkward conversation, Alexia would be more than happy to have that sort of talk with you. After taking you in at a young age, you had both bonded so well your relationship resembled that of mother and daughter.

You noticed Alexia seemed to be a little distanced and quiet so you made a move to check in on her when the team started to head out to the pitch, "Hola, Ale," You greeted, wrapping your arms around her and pressing your cheek to hers.

Her arms came to hold yours but she moved her cheek away from yours to lay a quick peck to it, "Hola, bebé, everything ok?" She rested her cheek on yours once again, relishing in the closeness and comfort it provided.

Your brows furrowed slightly, "Of course, I actually came to check on you," You giggled.

Alexia sighed as she saw this as you deflecting. She pulled away from you wholey before holding your face between her palms, "Well thank you for thinking of me, I'm fine, thank you," She pecked her lips against your forehead, filling your soul with warmth, "You know you can always talk to me, right? About anything. No judgement, sí?" She was looking deep into your eyes for any sign of sadness or lies.

All she could find was confusion, "Sí, you sure you're feeling alright?" You jokingly placed the back of your hand on her forehead.

Alexia responded by shoving your head in the opposite way, "Enough now," The lightness in her tone assured you that she was only joking.

Training went on, as usual, you were paired with Keira for drills meaning that you never got the chance to speak directly to Alexia until you were heading out to her car. You spent the drive home with a furrow in your brow uncanny to the one that rested on Alexia’s face as the older woman remained quiet and seemed lost in thought.

Once you arrived home Alexia haphazardly threw the keys onto the kitchen counter before turning to you who stood awkwardly between her and your bedroom, “You can go shower, Cari, dinner should be ready in an hour,” The small, tight smile she wore forced you to reciprocate but filled your mind with anxiety and guilt that came from an unknown source.

After showering, unpacking and repacking your training bag you shuffled out to the living room stiffly to find Alexia resting on the couch, watching some trashy reality tv. Her head raised from its slumped position, “Hola, Princesa,” She tapped the seat next to her, signalling you to join her which you did instantly.

She wrapped her arms around you and ran her hands through your freshly washed hair, “Are you sure you are feeling alright?” She spoke softly but her tone was heavy with concern.

You shrugged your shoulders, admitting defeat, “I feel like you’re upset with me,” You mumbled into her chest, limbs tense and eyes trained on the tv.

You lowered your head as Alexia manoeuvred the two of you so you were facing one another, “Why would you think that?” She lifted your chin with her fingers.

“You just seem…off, and I can’t help but think that I had something to do with it because you seemed fine in training laughing with ‘Tana and stuff.” You unknowingly jutted out your bottom lip, reminding Alexia of your youth.

She shuffled apprehensively in her seat, “It’s just that I accidentally heard your conversation with Ingrid and Frido and felt a little upset you didn’t come to me about it,” She was shy to admit she had basically eavesdropped on your very private conversation.

“Oh,” Alexia was too busy looking everywhere but your eyes to notice the relief in your tone.

“So,” She shrugged now feeling awkward and uncomfortable, “Is there anything you want to ask me?”

“I guess just how you manage to feel sure of yourself and confident with whatever you’re wearing?” Alexia’s eyes bulged out of their sockets and her mind began to run 100 miles per minute.

She turned pink at the question, her reaction throwing you off significantly, “Wearing!? I didn’t think you- I thought-” She was stumbling over her words and by now you were in a state of total confusion. She managed to get herself together and forced out a string of advice, “Well, everyone looks different but everyone is beautiful and there is no one way to look and if you are truly scared your partner is going to judge you, you shouldn’t be with them, let alone trust them with your body,” She had you in the first half but your brain completely melted by the second.

You cut her off instantly, “Ale, what are you talking about? That whole conversation was about how I never know what to wear before games and going out to dinners, stuff like that. I was frustrated with how you, Ingrid, Frido and the whole team to be fair, always look so cool and confident. What are you thinking it was about?”

“¡Oh, gracias a Dios!” She looked to the ceiling as she fell against the back of the couch, “I thought it was a whole other conversation about something way more uncomfortable,” She laughed to herself.

“Oh, Ale! Gross!” You whacked her while joining in on her laughter.

She took a deep breath before continuing, “You just have to own what you’re wearing, you are gorgeous and will look good in anything! Trust me,” She emphasised when she saw you roll your eyes, “How about after dinner, we go look in your closet and pick out some outfits so this weekend you have options for before the game? Sí?” 

You nodded with a smile on your face, “Gracias, Ale,” You moved over to her and she wrapped you in her arms, laying a kiss on your temple. You stilled for a moment before taking a deep breath, “I think dinner is burning,” You said calmly.

Alexia hummed before taking in what you said, “¿Qué?” She yelled and pulled away, running to the kitchen as you doubled over with laughter.

[izels-writing]

r. lupin — i’m gonna be your wife

Pairing: remus lupin x fem!reader

Summary: despite what happens, you’re going to marry remus.

Warnings: FLUFFFF, honestly no warnings it’s just cute, written in two hours so if it’s rushed or bad don’t judge me yall 😔

you weren't sure of a lot of things. if anything, your indecisiveness was an integral part of your personality. anyone who knew you, even if it was acquaintances, knew that making decisions or being sure of something was hard for you.

but there was one thing you were sure of.

you were going to marry remus lupin.

no matter what life threw your way, no matter how many hardships or bad people that entered your lives—you knew that he'd end up being your husband.

you understood each other in ways no one else would. you were there for each other. you gave each other support when the other needed it. it was a beautiful, once in a lifetime thing you’d never find again.

you had told lily this once, but she gave you an unsure look—likely thinking you were crazy. it wasn't like you'd do something to ensure that you and him ended up together, you just knew it would happen. your interference wasn't needed.

now, the one person you'd never bring it up to is remus. he was unsure of dating you as it was, due to his furry little problem. you didn't want to mention the idea of possibly spending the rest of your lives together, because you knew how squirrelly he could be about love.

you had days where you doubted your assurance of knowing you'd marry him—you knew that was normal for anyone. but it always came to the same conclusion.

it'd happen anyway.

——

madam pomfrey let you inside as you stepped forward carefully with remus' tea and biscuits. being a student assistant for your school nurse certainly had its perks—getting to ensure your boyfriend actually ate was one of them.

you ambled over carefully to his bedside, placing the tray down as you sat on the chair next to him. he smiled weakly at you.

“how’re you feeling?” you asked softly.

“same as always,” he chuckled. you knew the humor was just a front.

“well, want some tea and biscuits?” you smiled.

he smiled. “sure,” he replied as he sat up and adjusted himself into a sitting position.

you placed the tray on his lap and sat back down, smiling as he ate slowly. he picked up his tea and went to take a sip before looking at you for a second.

“two sugars, a dash of milk, just how you like it,” you sighed, playfully rolling your eyes. he nodded in satisfaction and took a sip, savoring the taste of his tea.

“have you done your DADA homework?” he asked. your eyes widened.

“that would be a no,” he chuckled. “do you want help with it?”

you sighed. “yes, please. i don’t understand why i need it to graduate,” you groaned.

remus just laughed at you as you stood to get your school bag from one of the empty cupboards, bringing it back over to him. you enjoyed when he helped you with your homework—he never made you feel stupid or lesser. he knew how smart you were, no matter how much convincing it took for you to think the same.

it was a sweet thing you two did together after full moons. you’d care for him, he’d help you with homework or whatever advice you needed. funnily enough, this was also what brought you two close together in the first place to the point of being together for two years now.

you sat beside him on the bed, facing him—showing him the work you’d done so far, allowing him to survey it before he begun his mini-tutoring session.

he loved that about you. the fact that you didn’t see him as weak or unable after full moons like his friends. he didn’t blame them, frankly he knew he didn’t look his best, but he hated feeling weaker than them. you played to his strengths.

“okay, well half of this is right and the other half is…not…” he chuckled. you groaned, throwing your forehead down to his chest.

“can you just do it for me?” you pleaded, looking at him pitifully.

“unfortunately, i can’t, love,” he grinned. “you have to know this stuff to be a healer,”

“bloody hell,” you groaned.

——

after two hours of what you presumed to be torture, though remus would disagree, you talked and played board games with the physically exhausted boy. you both enjoyed spending the day together, even if you confined to one room throughout the entirety of it.

you placed down your piece after drawing the card, glancing up to find remus smiling at you—almost admiringly. you chuckled, “what?”

“nothing…” he chuckled back.

“come on,” you laughed, swatting his arm. “what is it?”

“you just…i hope you know how much i appreciate you and how much easier you make the hard days,” remus mumbled shyly.

you smiled. “of course, that’s what girlfriends do,”

he grinned, wincing as he started pulling himself up to cup your face. “i love you, y/n,” he whispered.

“i love you too,” you smiled, closing the gap between you both.

——

“and so, dorcas and emmeline are currently fighting because of that…” you concluded. because if there was one thing you and remus loved to do together—it was gossip.

“because of a hair product?” he questioned in annoyance.

“i know! i suppose it’s the principal or whatever, i dunno,” you shrugged.

“that reminds me of that one time james and peter didn’t speak to each other for a week over a quill,” remus snickered. “merlin, you should’ve seen the look on their faces when they realized sirius had it,”

you laughed. “i can only imagine,”

a few pairs of footsteps rushed inside and you both furrowed your eyebrows humorously at each other, craning your necks to catch sight of whoever was walking in.

suddenly, three boys appeared at your boyfriends bedside.

“hello, mister and misses lupin,” james grinned, greeting you both.

“hello, james,” you chuckled, sliding off of remus’ bed so the three of them could talk to him. “you guys want tea?”

“no, they’re fine,” remus said, glaring at them to dare to say anything more. they didn’t.

“great, ‘cause i ran out of tea earlier anyway,” you chuckled. “i’ll be back,”

it wasn’t that you didn’t enjoy hanging out with remus and his friends, because frankly you really did. they were a fun group and they were kind to you. but you also didn’t want to be that overbearing girlfriend who constantly hung around—so you immediately went to finish up restocking madam pomfrey’s stuff.

after an hour or two, the sun had gone down and the boys had returned back to their dorm without remus. obviously due to the fact that he was there for 48 hour care. though he didn’t show it, the full moon took a lot out of him.

you quickly returned to his bedside, smiling at his droopy state.

“tired?” you asked.

“very,” he chuckled. “you?”

“oh yeah,” you replied sarcastically, “stocking really takes the energy out of me,”

remus laughed. “alright, i was just asking, you twat, no need to be so sarcastic about it,”

you chuckled and sat down on the chair beside his bed. “no, truthfully though, i am a bit tired. i’ll wait until you’re asleep to go lay down though,” you smiled, squeezing his hand comfortingly.

“why wait?” he smirked.

you raised an eyebrow. “what do you mean?”

he scooted slightly, turning slightly to the side, before patting the spot next to him. luckily for you, you had changed into pajama pants and a tank top earlier—once the clock struck 8:30.

you laughed, rolling your eyes playfully, before crawling into his bed. you curled up next to him, laying face to face with the boy.

“careful, i could fall asleep here,” you joked.

“go ahead,” he grinned, kissing your forehead.

bonus;

remus sighed, bringing a hand to his face as he looked over the bills and debts owed. he felt terrible, having to constantly budget and decide whether to have a full fridge or a new stove. economically, it hadn’t been easy for you two.

and you didn’t deserve this, he knew that deep down. you deserved those pretty necklaces you eyed in the store but never commented on.

you knocked on the room of your shared office space in your house, smiling at your husband kindly. “what’s the damage, mr. lupin?” you chuckled.

“the same as always,” he sighed. you frowned slightly at his worry lines and his stressed out look. you hated seeing him like this.

you ambled over to him, sitting on his lap. you kissed his lips softly, massaging his head gently. he closed his eyes slowly, leaning into your hands. you kissed his face softly—in efforts to comfort him.

you never cared that you struggled with money, as long as you had him, things didn’t seem so bad. he tried his hardest and that was all that mattered.

“how about me and you watch a movie and eat some popcorn? the kids just went to sleep, so i figured we could have some adult time,” you chuckled, kissing his jaw slightly.

he chuckled. “i’d enjoy that a lot,”

he looked up at you, starry-eyed and lovingly and for a second, all of your worries slipped away. you smiled sheepishly, “what?”

“thank you for making the hard days easier,” he said, kissing your neck softly.

“of course,” you grinned. “it’s what wives do,”

[7ouls]

daisuke x fem reader where they’re both super awkward and swansea is tired of them being oblivious to the way they feel for eachother that he makes both of his interns work on a project together

omg i totally loved writing this even tho i hcent written in a while so it might look weird? im really sorry its been a long time… (and its pretty short sorry abt that) also swansea is probably a bit ooc (i think u say it like that? idk) cause i have really bad memory so sorry abt that too…

this is set before the crash

No matter how many times the two interns tried to communicate it would always end up being awkward since everyone but them knew about their obvious crush on each other.

Nobody cares enough to help them realise that, except their boss Swansea.

That shortly explains how the three of them are now repeating the bases of engineering.

“So is that clear?” The older man looked at the young adults as they nodded.

“Great, i don’t have to repeat myself for once. Now to see how much you’ve understood try to fix this.”

He said taking an old radio that sat behind him and handed them the needed tools. He then proceeded to leave but not before giving a smirk to his interns that blushed as a reaction.

Daisuke was the first to speak up. “I didn’t actually understand all of it.”

Y/n giggled at the boy and he soon joined too. “Don’t worry… I barely managed to take some notes. Swansea isn’t really the best teacher…”

“But we don’t really have much of a choice”

“Right, so here. You can read some of my notes and umm… i guess start working.” She said handing him her notebook. He started quietly reading all of it as the girl got slowly closer and closer to read with him.

After a while Daisuke stopped and thanked her, then realised how close she’s gotten to him. Y/n panicking apologised as she didn’t notice the close distance between them.

He quickly straightened himself. “No need to apologise! We’re supposed to work together so that eventually would’ve happened, not that i mind anyways…” He muttered the last part.

Y/n raised an eyebrow at that but didn’t question it. “We should get the work started now.” She said as he nodded happily.

- - - - - - - - - - - - - - - -

It has been around two hours when the two finally ended their work and were now chatting.

“Sooo… would you be free after dinner tonight?” Daisuke asked nervously, Y/n blushed at the question then smiled. “I mean… there’s not much else to do so yes. Why do you ask?”

The boy grinned and answered. “Well, i’ve been meaning to ask you this for a while now. Would you like to play on my gameboy with me? We can take turns! And then we can eat all the sweets that i have and stay up all night!” He exclaimed out of breath.

Y/n was surprised to hear the boy so excited and soon replied. “Sure, we can do that. We’ll just have to make sure to be quiet or else we’ll wake the captain up.” Daisuke happily nodded as he watched the girl get up and wave at him.

When she left he let put a puff of air he didn’t know he was holding. “Holy moly. She’s like super cool!”

i took the gameboy idea from a daisuke fanfic on here but i dont remember the tag. sorry this is kinda short as i said i have to get used to weiting it’s been like 2 years since i last did it. maybe i’ll write about that sleepover soemtime!! (i swear this looked longer whem i wrote it on my diary)

[beescake]

PLEASE PLEASE MEGADUMP THE ARASOL!!! PLEAAASEE MR BEESCAKE I AM ON MY KNEES BEGGING YOU

HFHGHD GLADLY aaa i’ve been adding notes to it here and there for months but just hesitant to post it bcs im 🧍‍♂️🧍‍♂️🧍‍♂️🧍‍♂

also this is just my own takeaway of the events, it doesn’t necessarily comply to the Ultimate Truth of Canon-Alignment or represent the actual facts of what hussie intended! v sentimental smh but hopefully its still interesting to read

i love when characters inform each other by proximity, it's one of my fave things to see in media :') it feels even more significant when two characters deliberately choose to stick together, so that when one operates, you can tell the other is similarly aligned in associative solidarity.

sollux is a keystone of this trope — whoever he aligns with is a wordless statement, a nod of approval. this stood out to me bcs the main four humans were alr friends by default, but once you reach hivebent you realize the trolls can actively choose who they want to hang out with.

and as we all know, after assessing every troll's biases/loyalties, sollux is the only one who maintains his selective preference for innately Good 👍 people.

aradia is such a beautiful character honestly, she evokes such incredible feelings in me. she might not have been consistently written with care but the best parts of her character are truly stunning. i think it's easy to remember sollux as the self-sacrificing one bc he's so open about it (and his friends frequently react to his Moments) but when you compare him to aradia, it's always struck me

how much more. raw it is

to be so alone as an agent of time, having to orchestrate immeasurably harrowing events nobody understands or gives a fuck about

with your role painted in the story as one who must tend to the needs of the narrative, responsible to match every next note

because when you're given the capabilities, it becomes your duty to carry it out.

it becomes expected of you to keep experimenting and arranging the machinations to work for everyone, dusting off hundreds of necessary failures to keep going

and having to be so unwavering in your drive knowing miserably that there's no one who can help you but yourself.

or alternatively: to make things fun! so other people won't think twice about letting you go off on your own.

sure she's had some very good buds, notably thanks to Team Charge v Team Scourge antics.

and yet, at the end of the day, the one friend that kept choosing her time and time again was the friend with the highest standards.

i can see why people like to define arasol as moirails/matesprits but surprisingly i find the nondescript, unlabeled aspect of their relationship more straightforward to understand.

there's no shortage of people who would accommodate sollux. most of the surviving trolls are his oldest friends bcs he’d chosen them well. his transparency with his feelings had built him strong friendships that won’t falter or break, regardless of how much of a dick he can be. they’ve already seen and accepted him at his worst, and they still like him for who he is.

contrast that with aradia, who'd been so approachable, friendly and reliable in her exchanges it was super fun to talk to her. but the moment she became depressed, all her connections broke down.

her friends became hesitant to interact with her (until she became god tier, “happy” and amicable again) because her gloom and resignation didn’t serve them. she dealt with it alone.

there’s def something of note here abt the disparity between the way male & female characters are written+perceived in homestuck (esp parallel arasol with davejade) but i won’t go into that lmaoo

with this in mind i like to think of sollux as a gift to her, a loyal companion given to complement and commend her resolve. she's capable of doing so much alone but hussie took the time to build her and sollux's relationship as one of a unit; a set.

the ambiguity of their status does complicate things, but i do believe it makes sense with their characters. aradia's relationship with romance is a rocky one, the dubious stringalong equius had with her is a pointed reminder that her feelings of attraction are ultimately controlled by the author writing her.

unlike the other trolls who can openly address and own up to their crushes, aradia had romantic emotions forced upon her (especially when hussie implies 'she kissed equius back on her own volition'). and it seems like her character is so intrinsically neutral abt attraction that even when forced by the almighty powers above, she's unable to retain it wholly.

however, looking back to pre-game when she could actually "choose" her own feelings, she did have a crush on sollux.

their soft spots for each other were so obvious to the point where other people could see it.

taunting aside, when vriska comments on their unit as bf/gf it actually informs the audience that arasol's relationship is romantic in nature despite not aligning with the quadrant system.

even while dead, aradia could still describe her care for sollux, expressing that she would like to see him happy. if they had more time to explore their relationship on alternia, it's possible they could've settled in a quadrant once they grew older.

but going back to the lack of labels, their dynamic was affected once more when aradia became god tier.

to me, her ascension was both the perfect culmination and possible closure of her character. it's the light at the end of her journey toiling through countless of timelines where she had to actively assess and participate. that's why it's cool to see her being silly and having fun giving guidance, passively exploring and watching other people do their parts.

and yet the joy of her freedom makes it hard to explore further introspection. if we take her by her word, she'd already come to terms with the hurt she's been through and forgiven those involved.

i can't help feeling attuned to how impersonal and detached it can be, to devote and meld your identity so completely with your designated position as Maid of Time until you've become hard for your old friends (and even some readers!) to personally connect to.

idk post-canon but i assume there’s some degree of similarity to be bridged here with aradia's god tier and how the hs2 humans' Ultimate forms was described as a consolidation of all their possibilities. since aradia's classpect is inherently of service to Time, going god-tier may have elevated her beyond personhood with the "game construct" possessing her entirely. sollux doesn't realize the extent of it bcs he's still mortal, but a part of him may have subconsciously understood this.

i think there is a core aspect to aradia that was lost to the dehumanizing glory of god tier — a core aspect that may have contained an element of why sollux enjoyed talking to her in the first place.

to him, aradia hadn't just been a nice girl, she was a cool girl. despite not having much in common, he's still willing to chill next to her so she's not alone while she does what needs to get done.

back on alternia, they held a mutual and equal-level regard for each other that could've definitely settled into something permanent. but now, he's placed himself in a position where he can be kept around or left behind at will. the parameters of the relationship are largely in aradia's court, so any label she suggests to identify their relationship with he's likely to accept.

but that's why it's so difficult to label it. because god tier aradia may not necessarily Want quadrants or relationship labels. rather than the initial romantic attachment, their commitment to each other had evolved into one fundamentally of companionship.

no label? ok fine. no matter what, he still thinks she's a good soul worth latching on to. the best, actually. aradia > everyone else.

even if it gets stilted at times. there's an unexpected struggle to connect when sollux's go-to default for talking points is his feelings about things, and aradia may not want to talk about emotions all the time.

not to mention god tier aradia became an observer, especially of chaos. but sollux's avoidance of involvement comes partially from his innate pressure to get involved if something goes wrong. and he can't always tell when something goes wrong, because aradia doesn't mind if things go wrong anymore.

it's a non-negotiable preference that causes them to take the occasional time apart, a new boundary that wouldn't have existed before the game and aradia's god tier.

but just like how his friends tolerated his moods, sollux accepts aradia as she is. with no quadrants, their connection doesn't break down because there's no implicit romantic expectations to be disappointed by or resentful over.

sometimes when i see hs content that deliberately distances sollux from aradia, i assume this is the dissonance people might have felt. people might find it "easier" to be cynical about them bcs of this strange tension.

but idc lmao. grab that shit by the neck

lack of easy resolutions and cleanly tied ribbons is pretty standard of homestuck and imo it doesn't make arasol's dynamic any less incredible. with the right affection and consideration, there's still so much potential to develop the nuance of their relationship outside of the popular quadrant-based depictions.

hs has a lot of really great character compatibilities but the way aradia and sollux are in their own special orbit is why i can write this much about them in the first place. it's that frail innocence between first loves that makes it so sweet to me, two kids who grew up too fast playing guesswork without being clear where they're going.

ultimately i do think you're meant to feel a little tragedy for just how much they care for each other, even if they can't quite establish it in simple terms.

maybe they keep taking breaks to progress their own paths. maybe they remain as anchor partners while seeing other people. but even if you decide to separate them, they're still (awkwardly) texting each other updates all the while. and when they reunite it feels like coming home.

and well. more than anything, i like to believe that they do want to be exclusive.

they're just afraid. after all, they're still learning how to love, beyond the projections of the foursquare quadrant system they had inadvertently distanced themselves from since young.

they might not have everything figured out, but they'll get there eventually if you just hold them together and write them there.

optional post-canon segment:

one of the limitations of main hs is that (monogamous) relationships are often written as the go-to solution to wrap up character growth; it's an easy "patch" to imagine characters getting their happy ending because they have a partner, and those who don't end up with someone don't get that closure (most notably jade).

hs2 reaffirms this by suggesting that aradia's character cannot progress without letting sollux go, because happily settling in a relationship automatically locks your potential.

that pathetic panel of sollux staring emptily into the sky is still my fave hs2 spoiler ngl i find the impact of their parting so emotionally provoking precisely bcs they were written in original hs to be each other's forever, coming back together again and again

but now, they're subject to the decisions of the post-canon authors who might choose to deviate from that.

it's not new for them to part, but now there's an underlying worry that her dropping him off this time might be the last time. while i think the prospect of shattering their stability to make them grow separately sounds fun on paper, no amount of me desperately hoping for a good execution is gonna guarantee it

idk. i guess prediction-wise im expecting sollux in classic dramatic-hs2 fashion to tell dave to back off aradia LMAO. otherwise it's just gon be sollux and karkat pathetically watching aradia and dave from a distance swimming in their unresolved feelings for narratively-powerful time players smh obvs it sounds corny as hell but who knows its still plausible

srsly tho i hope they take the opportunity to develop arasol's relationship in a fresh direction that doesn't hurt me too badly...... and i hope they force sollux out of his comfort zone. i like watching him struggle :-)

[harunayuuka2060]

Leal and his sister: ...

Leal's sister: Brother, will they be okay?

Leal: Yes. Master Akihiko can handle this on his own.

Leal's sister: Hm. But... Isn't he afraid that his father will try to sabotage his plan?

Leal: I'll prevent that from happening.

Leal's sister: ...

Akihiko: What do you think, father? *smiling*

Yuurin's father: ...

Yuurin's father: The people here are welcoming.

Akihiko: *chuckles* Right?

Yuurin's father: ...

Yuurin's father: Son, are you truly going to proceed with the plan?

Akihiko: Yes. I had planned it since I was young.

Yuurin's father: ...

Yuurin's father: You have hidden your true feelings well.

Yuurin's father: Your mother and I believed you were okay with everything happening.

Akihiko: *chuckles* Well, what could I say?

Akihiko: I'm a man who's been taught the virtues of a woman.

Yuurin's father: ...

Yuurin's father: *smiles* I know I have no right to say this.

Yuurin's father: But I am proud of you, son.

Akihiko: ...

Yuurin's father: Anyway, here you go. I've signed everything. *He hands him the documents regarding the transfer of wealth to Yuurin.

Akihiko: Thank you, father.

Yuurin's father: ...

Yuurin's father: Akihiko, when your time comes, will you promise to give me one final call?

Akihiko: ...

Akihiko: *smiles* If it crosses my mind, I will.

Akihiko: Huh? You want me to get a haircut?

Yuurin: Yes. It's fair, don't you think?

Akihiko: ...

Akihiko: *chuckles* Hm. What kind of haircut do you want me to get?

Yuurin: I think any haircut will suit you.

Akihiko: Bald?

Yuurin: ...

Akihiko: *laughs*

Akihiko: I'm just kidding, bluebell.

Yuurin: *sigh* We should go together with Leona-senpai.

Akihiko: Okay~. I think we should do it on your weekend off.

Yuurin: Sounds good.

Akihiko: Alright. I'll talk to you again, bluebell.

Yuurin: Take care, Aki.

Akihiko: You too, bluebell~. *hangs up*

Leona: *sitting next to her and listening to their conversation* Why the hell would he suggest bald?

Yuurin: I'm not sure...

Leona: ...

Leona: I think Leal's a bad influence.

Yuurin: Huh?

Leona: Just think about it, did he use to have a broken sense of humor?

Yuurin: ...

Yuurin's mother: Welcome home, dear. How was your trip to Sunset Savannah?

Yuurin's father: *smiles* It was great.

Yuurin's mother: That's good to know. Oh, by the way, do you want to see my journal? I had so much fun writing on it that I failed to realize that I've written on all its pages.

Yuurin's mother: All I have to do now is pray to Goddess Mnemosyne to watch over our son Yuurin and grant my wishes.

Yuurin's father: *nods*

Yuurin's father: *has waited for his wife to sleep* *holding the journal in his hand*

The servants serving Yuurin: Master? Are you sure about this?

Yuurin's father: Yes. Light up the fire.

The servants: *do as told*

Yuurin's father: ...

Yuurin's father: Burn everything from Yuurin's childhood. Nothing shall remain.

The servants: Yes, master.

Yuurin's father: ...

Yuurin's father: *watches as everything that can remind his wife about Yuurin burns*

Yuurin's father: ...

Yuurin's mother: Men who show weakness will face discrimination, while strong women will be torn down. We cannot allow such injustice to befall our children.

Yuurin's father: What do you mean by that, dear?

*Akihiko was already born around that time.*

Yuurin's mother: We will raise this child as a girl.

Yuurin's father: ...

The servants: Master, this is all.

Yuurin's father: ...

Akihiko: Destroy the journal. By the next morning, Mother will have no recollection of Yuurin.

Akihiko: She will only remember having a daughter, who is me.

Yuurin's father: *to the servants* From tomorrow onwards, no one should utter a word about your Master Yuurin, especially not to your Madame.

Yuurin's father: Do you understand?

The servants: *bows* Yes, master.

Yuurin's father: *throws the journal to the fire*

*A figure resembling smoke emerges from it, fixing its gaze directly on him.*

Yuurin's father: *bows to it respectfully*

*The figure then heads to where his wife is.*

The servants: *looks at each other; understanding the situation*

Akihiko: ...

*The figure shows itself to him.*

Akihiko: *smiles* Thank you. Thank you so much.

*The figure nods then disappears.*

Akihiko: ...

Akihiko: I hope this will bring you joy, bluebell.

Leal: ...

Leal: Master Akihiko.

Akihiko: ...

Akihiko: I can enjoy my remaining years with Yuurin now. *chuckles*

Leal: ...

[dalliancekay]

"There is no 'our side', Crowley!"

I was looking for this gif and every post I came across was some variation on how poorly was Crowley treated here. Poor boy. How utterly cruel of Aziraphale. How heartless. How he just dropped Crowley like a hot potato. Cos Heaven was coming. And Aziraphale decided that they were over. And he was going back to them. Or something. If you know any that look into how Aziraphale is feeling, please tag me. What do I think Aziraphale is feeling?

Well. Was he happy to have Armageddon coming? No. But he did think it was inevitable.* However. They tried to influence the Antichrist. But had the wrong boy. Then they tried to think of how to find the real one and in that short time - what? Kill him? Talk to him? They had no idea what the kid is like. What powers he has. None.

The Great Plan. It is coming to its fulfilment. It is written. The War is about to begin. Heaven and Hell. The big one. They both know this. And this is not something Aziraphale or Crowley can avoid. It's not something they can just stop believing in. They had their Arrangement, their side (sort of), and they managed not to get caught. But now? Now Aziraphale is right. There is no OUR SIDE. There never really was. There might have been a moment in their existence on Earth (about 12 hundred years?) when they could feel like/pretend they are having their own side. But now the full reality of their existence is back. There are Heaven and Hell and they are preparing for War. They have no interest in Earth. Aziraphale and Crowley are tiny pawns in a very big picture. They both belong to their respective sides. They always have. Even when they found ways to work together. (Mostly cos their sides are conceited idiots both.)

And so Aziraphale decided for one more desperate attempt to get God to see how the whole thing can be avoided. Does he think She might understand? We don't know. Does he look full of hope as he walks back to his shop? He doesn't. He gets broken up with again by Crowley who nonsensically (and yes, romantically, sure) wants to go to another star - to do what? Wait till the end of universe reaches them? (Why is everybody always defending Crowley? And act like he's being reasonable there?) And then Aziraphale gets punched in the stomach. By a fellow angel. And told by Metatron to not be a bloody fool and report for service as the good angel he surely is.

And he gets discorporated. Which looks like it really sucks.

And then he DESERTS the War AND Heaven (that he apparently still has faith in...) and goes on a limb to find the boy and just see if he can come up with something. Anything. Thinking Crowley is gone. Packed his stuff and left. Possibly with the friend he was talking to when he tried to call his flat earlier.

Because Aziraphale feels the War and ending of the world is such injustice. Written or not. Great Plan or not. Maybe he didn't think at first he could make any difference but Crowley showed him it's worth considering it. *Crowley is always showing Aziraphale that things can be questioned. It didn't take Aziraphale long at all to reconsider letting things just play out and instead fight to the last breath he doesn't need, for Earth instead. The conditioning he needs to fight isn't that Heaven is good and right. The conditioning he needs to fight is that things can't be changed. That it is all written out. That he is a nobody and can't influence anything. Aziraphale's biggest fight and learning curve is in having faith in himself. So. Much like he felt it was unfair to leave the first humans unprotected and how he felt killing Job's kids was cruel, he disobeys and does his own thing again. He learns he can. But all this comes at a cost. To himself (thinking he will Fall for these things) but also to his beloved - and THAT is much harder for him. He would never want to put Crowley in danger. And he does. Every time they meet. The guilt he must feel for this.

Aziraphale lives between two sides. And they are both awful. And he is often misunderstood for just acknowledging this as reality he and everything else exists in.

I think his view of his reality is pretty accurate. There is no our side. They wanted one. But they can't leave their sides. Even after S1 they couldn't. Not really. And they both knew it. And no, he is not in clutches of Heaven or sometimes reverts to their indoctrination or anything like that. He goes along with Heaven as far as he MUST. And his life alongside his demon, however tentative, was always precious to him. But.

Crowley who showed him how to keep questioning things, try to make them better, didn't see it his way and left.

Aziraphale has to do the best he can and just do something. Anything. He can not just do nothing. He can not try and run. Or hide. Or wait some more. Crowley showed him that things can be different and Aziraphale had to do all to try and make it better. And he will. And Crowley will help. He always does.

Is Aziraphale always right? No. Does he make mistakes? Yes. I am never saying Aziraphale is faultless - but I think many things he is blamed for are not right. And I also think Crowley is often seen as can do no wrong. Everything he says is right. 100% correct. The right things to do. He knows more. Understands more. If he disagrees with Aziraphale than it follows that Aziraphale is wrong. That's not true. They are both beautifully rounded, full, flawed characters I love. They complement each other in ways I bet I have not even noticed yet. And they are their own beings too. They don't only exist for one another.

[lilywastaken]

now hear me out: witch hunter!ghost x witch!reader...

he's visiting a town with the rest of his team to investigate a claim that there might be witches running rampant around the small countryside village, only to fall victim to a resident's charm while they conduct interviews.

she's a sweet woman who insists on curing the scratches that he's gathered across their travels, using tonics and herbs from her cute little garden and letting him pet her pet cat, who seems to have taken liking to the dark and imposing man, rubbing it's little black body against his boots and purring when he leans down to scratch under its chin.

it doesn't even clock in his mind how every single detail about you and your life correlates exactly with the obvious signs of a witch, but he's too spellbound with you to even realise.

he informs the others that none of the people he's talked to seem to have made the infamous deal with the devil, but due to the panicked way the leader of the community had written to them, they decide to stay to investigate further, staying in the small inn near the outskirts of town and luckily for simon, near your cottage.

despite the clear liking he's taken to you, he's still as emotionless and snarky as he would be with anyone else, and his chest tightens every time you laugh or giggle out loud at one of his dark jokes, most unladylike for any other woman, but you don't seem to care to hide your snorts or amusement around him, something he completely adores.

he insists on helping you with your garden, claiming you have no need to get your hands dirty when he's used to doing dirty work (both taking lives and tending to his own garden back home), sitting at your kitchen and watching you make the tonics and medicine you help treating anyone who has fallen ill in the village, standing close by whenever someone comes in with an injury, absolutely in awe at how they're cured almost immediately, thanking you gratefully before leaving. although, he does not miss the dirty glares some of your neighbours send you when they think you're not watching, making him grow confused, not understanding why they would harbour such feelings towards someone as kind and helpful as you.

it's not until he's taking a break at the pub, listening to gaz drawl on about some thing or another, when he catches wind of two women's conversation, frowning beneath the leather mask he wears in distaste has he takes in their poisioned words.

"-making moves on my poor husband. i swear, she's put some type of spell on him, that vile witch."

"oh, i know! my brother told her off last monday and guess what!? the next day, he fell off the roof and broke his leg! bloody bitch probably cursed him!"

"gosh, i cannot wait until those hunters finally get her! i have no idea how she's managed to evade their suspicions, she's done nothing to hide herself!"

"well, by the way that masked man has been loitering around her home, we'll be lucky to have a burning at the end of the week!"

they both laugh, the high pitch shrieks that they let out enough to make the glass in simon's hand shatter, shoving his seat back and leaving a dumfounded gaz in the pub alone as he walked away.

the splintering wooden door slams open as he shoves himself into your cottage, dark eyes landing on your crouched figure and then the second one, body freezing as he makes eye contact with his captain.

"simon." the man grunts, alerting you of your favourite visitor's presence as you pull back from the wound on his leg you were treating, a sweet smile on your lips.

"simon!" you repeat, cleaning your hands with the bucket of water next to you, wiping away the dried blood in the rags as price sends a warning look to his subordinate, the blond furrowing his brows in confusion, before the conversation he'd overheard before came to mind.

no.

no, price didn't know.

and, god, no, you weren't one of them.

you... no. no.

"let's get going. thank you for the help, miss." his whole body went into autopilot as price pushes him out of the cottage, the short wave and caring smile you sent his way the last thing he saw before the door was slammed shut.

neither of the men spoke on their trek back to the inn, and simon did not sleep a wink that night, terrified of what would happen in the coming days.

surprisingly, there was nothing. no finding of stakes, no gathering of firewood, no detainment of you.

so maybe, price hadn't picked up on you. even though simon was still convinced you were not one of those.

until after a few days of pouring rain, simon wakes up to a cold room and the absence of johnny, who he knows for a fact that never woke up before him unless forced to, something he'd learned after years of sharing the same room with the scot.

and as he walks out into the muddy roads, that oh-so familiar smell hits his nose.

the burning of wood, of grass, of cloth, of human.

his heart dropped into his stomach, following the trail of ashes that had blown across the roads until he arrives at the town square, the burning piece of wood in Gaz's hand along with the flames consuming the hay and grass that lay across the ground of the plaza, the fire slowly consuming your beautiful white dress he'd seen you sew barely days ago.

simon barely takes notice of price coming towards him, attempting to hold him back from rushing into the crowd simply staring up at you, your eyes falling down upon his struggling body, your face going from the calm expression it had been in to shock, pulling at your tied up wrists instinctively in a frail attempt to rush towards him.

"simon...!" you breathe out, soot entering your lungs as you inhale, tears filling your eyes from the burn as you watch him wrestle out of his captain's grip, his boots stomping against the rocky ground as he shoved past the gawkers, leather slamming against the kindle, ignoring his team's shouts and the fire burning his clothes and skin, reaching the stake you were tied to, his face out in the open due to the way he'd rushed out of his room, dark eyes reflecting the flames that were taking you both.

his shaky hands come behind you to untie the ropes around your arms, caging you with his body and allowing you to rest your head against his shoulder, tears streaming down your cheeks as you look down at the burns forming across his legs.

"stop." you pleade, trying to push him away with your chest. "stop, simon, stop...!"

"shut up!" he snaps, throwing the ropes into the fire as they came undone, letting you collapse into his arms as you were let free, your hands gripping his dress shirt. "you're going to be okay, we need to-"

his voice broke as he looks down at your sunken eyes, your lips dry and cracked as if you'd just ran a marathon, but looking down at your intact legs and burning dress, he realises where all your energy had gone.

"simon.."

no.

"please, stop-"

no. you....

"you're going to die, simon, please!"

you couldn't be...

"i won't be able to save you, simon, listen to me!"

you were wailing at this point, trying to push his body down the small burning hill, but his body doesn't budge.

"simon!" his captain's grating voice pulls him out of his stupor, his hands growing tighter around your waist as he locks gazes with the furious looking man, your wails becoming static in his ears as he doesn't think twice as his now blistering hands pulled your legs up, letting you grasp onto his neck instinctively as he holds you bridal style, ignoring the searing pain rushing through his body.

"simon, don't, don't you dare!" you scream, the first time he's heard you raise your voice at him. "please, i'm not worth saving, you know what i am! i don't deserve to live!"

liar. you... you were worth everything.

you were worth the burns on his body, the destruction of his ideals and the pain the mere sight of you in tears gave him.

he doesn't care what you are.

you're... a witch. what he swore to destroy and what he has been hunting for over a decade.

but you're not... you're... not evil.

maybe none of them were, maybe if he'd taken the time to get to know the women they'd burnt before he'd have realised sooner, that you were just people.

and he wasn't going to let you get hurt. maybe it was a bit selfish or ironic, but he didn't care. he'd take you away from this town, from his colleagues, from the pain, let you live in peace somewhere were no one would bother you.

and if you let him, he'd come with you too.

he ignores price's shouts about the so called spell you'd put on him and as he looks down at your shivering body in his arms, the way you're curling into him, the way you were wailing for him to save himself moments ago, he couldn't...

even if you had put some type of spell on him, he didn't care. never had he felt like this. and yes, he'd deal with the consequences of this later, but for now, as he runs through the forest with your trembling body in his arms, he couldn't care less.

he isn't going to let anyone hurt you any more than they have.

(brainrot for this idea is open please 🗣️)

[the-s1lly-corner]

If it's alright, could I request a Toby, Slenderman, Eyeless Jack, and Jane the Killer x reader (separately), where the reader has no self preservation? Not in a sad way, but more in a "cheerfully confident that they can handle it" kinda way.

Either way, I hope you have a good day!

Crps x overly confident!reader w/ no survival instinct

Points

JANE REQUEST SPOTTED!! Feels like hardly anyone asks for her!!

Side note I could NOT find a good gif LMAO

Characters: Ticci Toby, Eyeless Jack, Slenderman, Jane the Killer

Notes: reader is GN, reader is not suicidal in any way they just think they're built different, reader is written as a human

CWs: injury and blood mentions, canon typical violence and death

SLENDERMAN

hes seen humans die to less, hes not going to let you follow that path... why would have to do any of this when hes right here to do the dirty work for you without complaint? he simply doesnt get it

but still, if he knows you will survive he will let you go- as foolish as he may think you are for throwing yourself into a fight or disaster- he will never fully understand humans so surely you must have a reason for this? stops this when it just leads to you getting hurt over and over, it slowly becomes clear that youre doing it because youre cocky. you truly do think you'd come out the other side unscathed

you dont even get the chance to throw yourself into a fight against a someone wielding a weapon- theyre torn down before you can get too close, leaving behind a mess of gore on the ground. your attitude may have rubbed off on him, he hardly ever displays such strength and violence- but if this is what needs to be done to show that you dont need to fight anymore then so be it

TICCI TOBY

honestly? he might just join you in whatever danger youre about to throw yourself in- he himself doesnt have much survival instinct, though a lot of that hinges off of his inability to feel pain. he minimizes the damage done to his body most of the time

and... that kind of bleeds into how he acts when youre reckless, afterall hes never had to be careful about himself- and you seem to hold the same belief to your own body... its going to take a real nasty injury to snap him out of that and make him realize that youre not invincible- even if the lesson doesnt sink in for you

you still sometimes make light hearted bets on things when stuff gets intense- "oh i bet i can take him-" "oh i can do this with one hand tied behind my back-" and so on and so fourth

youre both a little.... foolish...

EYELESS JACK

painfully aware of human anatomy and what it can and cant take- that comes from being very interested in the topic as well as being able to look inside human bodies first hand

a lot of the time you cant even take a single step towards the danger, hes already got his hand on your shoulder and tugging you into the other direction... and in the case where its dangerous but not deadly? you can feel the look hes giving you under his mask... for someone with no eyes he can give a mean glare

you give him hypotheticals for threats that you can take on and hes just "absolutely not."... he will not spare your ego, your safety is far more important to him- youre the one good thing in his life and hes not going to let you get yourself killed

JANE THE KILLER

it takes her a moment to process what youve said and by then youre already running towards the threat- and shes bolting after you to either back you up or drag you away... preferably drag you away if its something that cannot be stopped or bested

what were you thinking? are you insane? what if you were killed? shes not going to hold anything back, she wants to understand why you would do something like that- especially unprepared... do you have a death wish?

not at all happy or pleased with your little habit of just. running into things head first... she doesnt think its commendable or brave, and shes going to let you know what she thinks as shes trying to stop your wounds from bleeding all over the place

you can tell shes trying to be nice- well, niceish- but her tone does slip out as she speaks

[project-sekai-facts]

what do you think the "Please forgive me and Purple" mean? considering the Miku (and Teto!) version it could be stand as a prayer like "Amen" yk? I always thought it said "please forgive me Empurple" as if "Empurple" was an entity

please forgive me and "purple", the wavering me dyed purple

So empurple means "to become purple", hence why in the official english lyrics "empurple" is replaced by "dyed purple". I think the 'and "purple" ' in the lyrics is representative of Mafuyu's emotional state, as in, her true and genuine self waiting to be found/freed. The real Mafuyu - her image color is purple after all. I think to understand what it means to Mafuyu at least, we need to look at the SEKAI ver instead of Harumaki Gohan's version. It was written for Mafuyu, so most likely Mafuyu is the origin of this lyric, which was then put into a different context with Harumaki Gohan's MV.

In the first verse where Mafuyu sings "the real me feeling stuck in my throat is empurpling", which gives us an image of Mafuyu struggling to open up about her feelings. The longer she feels stuck and keeps everything in the more purple it becomes. This is confirmation enough that the "purple" that she's asking for forgiveness for is just the things she kept hidden from her parents. It makes a lot more sense if you consider that this is the event where she starts to reconnect with her dad, and truly starts to trust him and open up to him. You don't have to read past this part, I have answered the question.

I think it's worth mentioning as well that we see these red and blue strings throughout the entire MV, obviously red and blue being the colors that make purple. We'll get more on what red and blue mean in the context of this song later, but just briefly I want to talk about this specific frame here. Strings have been a recurring motif for Mafuyu from as early as her first ever event, Captive Marionette. In that event, Mafuyu likens herself to a marionette doll, with the way she feels completely under the control of her mother and like she's being used for her mother's own performance (that will get its own analysis in due time). Her card for that event shows her dressed as a marionette doll bound by strings.

The strings come back for her aptly titled My True Feelings card in her fourth event, Saying Goodbye to my Masked Self. She's seen cutting the threads here, symbolising how she ran away from home and effectively cut off her mother. And now back to Empurple. In the opening shot of the MV, we see red and blue strings wrapped around Mafuyu's ankles, binding her to something offscreen. Behind her, towards the area she's being bound to, we see a bunny plushie and some apple slices cut into the shape of rabbits.

These are taken from her Memories of Warm Affection card, which shows kid Mafuyu being taken care of by her mother. The event Empurple was commissioned for, Reeling in the Lights, heavily calls back to Mirage of Lights, Mafuyu's second event and the event this card originates from. It's pretty clear here that Mafuyu is being bound to her mother, and her memories of her mother's care for her when she was younger. Continuing on with the actual song:

The next part of interest is the first pre-chorus. The first shot here is one of a child's hand holding an adult's, obviously meant to be Mafuyu and her father based on the card for this event (below). The next shot is of kid Mafuyu's eye, much brighter and with a far lighter blue color. These two shots are accompanied by the lyrics "Try to open my left hand and have a look? It's still embedded with blue eyes." (It is in fact her left hand that she uses to hold her dad's hand in her card). Now here's where we get to the meaning of blue in the song and MV.

The blue here is meant to represent Mafuyu's younger self. Her more genuine and innocent self before her parents started setting more pressure and expectations on her. The first line of the chorus is "If I saw that, would I be surprised", which I think perfectly encapsulates how Mafuyu feels when looking back at her childhood. In both of the "Lights" events focusing on her relationship with her parents, she looks back on these childhood memories that are so distant from her reality that she'd almost forgotten them, and yeah, it's surprising how different her life was and how she was when she was younger. The second line of the chorus "I just want to live once with genuine feelings only" plays into this too. And then we come back to the "purple".

If we hold hands, it would be great if you could understand, Please, Forgive me and "Purple", The wavering me is Empurpled

It's very clear here that this is all directed towards her father. In the event, we flash back to Mafuyu's dad comforting her during a thunderstorm, and although its one of her only memories of him because he was very absent from her childhood, she realises that she associates him with being a source of support, and decides to tell him more about how she really feels. She affirms her trust and comfort by holding his hand. In the context of the song, she's asking him to forgive her and all the things she's been hiding over the years.

The next point of interest is the second prechorus, which is very similar to the first, only this time, it's about the "red". Once again we get a shot of Mafuyu holding her dad's hand, only this time it shows the present day, and Mafuyu is using her right hand this time. Like how the first prechorus mentioned her left hand, this one mentions her right, with the precise lyric being "Try to open my right hand and have a look? You'll find a crimson sky.". An aside, her eyes aren't crimson here, I won't deny that, but they can't exactly just give Mafuyu red eyes, so for the sake of this analysis, pretend she has red eyes or something or that crimson and indigo are the same thing. We see the shot of teenage Mafuyu's dull indigo right eye over the lyric about the crimson sky, a direct contrast to her bright blue eyes from the first prechorus.

The "red" in this song references Mafuyu's current state of being. A girl struggling with expectations and appearances to the point she lost her sense of self, her emotions, and her will to live. All of this has been kept well hidden until the mask finally came off in her previous event, and now her father is seeing this completely new side to his daughter too. It's far more impactful though with the knowledge that he was an absent father, and never really got to spend any time with Mafuyu due to his work schedule. Like he never really knew Mafuyu to begin with in some ways. All he knew of her would've mainly come from how other people saw her, which is what caused this in the first place.

The first line of the second chorus is "If you see it, will you be shocked?", obviously referring to how she has her worries about telling her dad these things about herself. He is, in fact. shocked by the situation. He's completely stunned when he finds out Mafuyu can't even taste the food he's been buying her back in The Tone Played on that Day, because this is nothing like the Mafuyu he thought he knew. At that point he knew Mafuyu had been struggling, but he had no idea of the severity of it because Mafuyu had been holding these things in her throat.

The second line interests me quite a lot though. "The crimson sky is so beautiful, yet you'll never know." I've been trying to think about what quite we're looking at here for a few minutes, but here's what I've interpreted it as. Where we are right now in the story, the crimson is the closest we can get to the real Mafuyu. It's her true self as much as her current emotional state will allow, and obviously there's some beauty in that. It's far more authentic that the manufactured facade of blue that she'd been putting up for the previous few years. "yet you'll never know" could refer to three things in my opinion. Number one: Mafuyu's unwillingness to open up before the end of this event. No one gets to know her real self, because she won't let people see it. Number two: Mafuyu's father missed out on a huge amount of her childhood, and missed many of the signs that Mafuyu was going through mental anguish. Obviously, this ends up being remedied at the end of the event. And number three: This is aimed at Mafuyu's mother, who doesn't understand how this has happened and refuses to accept that this is who Mafuyu is.

And the last part of this chorus is "If we hold hands, it would be so warm... Please, Forgive me and 'Purple' ". Warmth is something that comes up a lot in Mafuyu's story. It's a sign of comfort for her. Her mother, or even just her presence, physical or not, is consistently described as cold and icy. It's unnerving and chilling. However, being around Niigo, holding their hands, brings her an unfamiliar warmth. Mafuyu associates this warmth with how she felt around her mother when she was younger. She can't quite place it, but it's a feeling of safety, comfort, and happiness. As I mentioned earlier, although Mafuyu has very few memories of her father from when she was a kid, what she does remember of him brings her that same feeling of warmth. And it's different to how her memories of her mother give her warmth, because he's still here, now, trying to help her.

I particularly like the bridge and final chorus too. There isn't much to say about the MV here aside from the fact it gets darker during the bridge, connecting with the "crimson sky that was hidden at all costs" lyric. Mafuyu is the last person to sing, and as expected it's darkest then, though it does get brighter as she finishes her line, probably because she's going to be more open from now on. I like the "still tinged with blue, these eyes" part too, because obviously, her happier and genuine "blue" side is still a part of her, she's just lost sight of the genuine manifestation of it over time. Blue and red make purple after all, and you can't get the true purple form of Mafuyu without combining her blue and red sides.

The final chorus refers to the event story again. "The important things, I'll keep them with me" obviously references the memories of her dad comforting her that she never let go of, "Inside my body, something is still broken" because Mafuyu isn't fully healed yet, and "If we hold hands, please fix me" because she is going to let her dad help her from now. Them holding hands was a sign of trust between the two of them, and a sign that Mafuyu is going to be genuine with her father because it is what's best for her, for real this time. He says in the event that he's been looking into getting her seen by a hospital (therapy), so he truly does want to help her.

The MV ends with the same shot as we started with, only this time, the camera has moved over to the left a bit, fitting with the fact that her "blue" childhood happiness was said to be on the left. The strings binding her also fade away, and allow her to step towards a new person whose feet have appeared in the frame, who is obviously meant to be her dad (Mr Asahina canonically wears sliders). We're finally seeing Mafuyu make some significant progress following her running away. Even after she ran away, she was still bound to her mother, and the warm memories she had of her, but now she's found someone who can give her that support and love for her genuine self in the present. She's freeing herself little by little.

[secriden]

so @rayandgay's gifset of mahasamut slipping the leash got me thinking and...

one thing that makes jak such a well written villain is how quickly our perception (of jak) as the audience shifts in this moment and how utterly believable that is.

jak is honed in on tongrak throughout the scene, even when mahasamut gets up, you see jak is focused fully on tongrak and doesn't even glance at mahasamut until he's grabbed and decked in the face. and at that point all he seems to register is shock.

perhaps its blind arrogance or his obsession with controlling tongrak, but jak doesn't actually seem that...smart? like, this is after he's sent 2 goons to beat up/kill mahasamut and they came crawling back severely beaten up themselves, so he should really have been expecting mahasamut to be a physical threat.

but also, it helps us as the audience understand and empathise with the hold jak has over tongrak. because jak has devoted time and effort to creating this larger-than-life perception of control, power, and ability to harm and/or destroy the things and people tongrak loves. tongrak cannot even perceive his own father's weakness at this point. manipulation is what jak's actually good at.

but then, it's also why his control over tongrak finally breaks here because mahasamut manages to show tongrak just how weak jak really is.

and we as the viewer experience the same flip in perception as tongrak does! prior to this moment, the show really makes it seem that jak is going to be this huge threat, this big looming final boss that they have to fight to get their happily ever after. in the scene with prin, it feels like he's the mastermind behind her. like she's supplying the money but the true brains behind the encroaching threat to our lovers is jak. it helps that jak is physically terrifying cuz he towers over everyone else in the cast.

but in the confrontation all it takes is 2 punches for him to go from threats to begging. he's begging after 1 punch, and barely takes 2 the entire scene to be rendered out of commission.

(this is not a flattering screenshot of jak and i do NOT care)

we go on the same journey as tongrak does in this moment: "is this it? is this really the larger than life man? this!? could it be that this man was nothing more than a pathetic opportunist who got his hooks into a child and has been using that to maintain his control this entire time? could it be that he only seemed so strong before because he was an adult who took his strength out on a child?"

jak's written this way to get us to understand tongrak better because we as an audience have been taken in that same emotional journey. we, too, are fooled by jak's looming presence and vague threats and lies. but we are also released from the hold by mahasamut's actions. we see jak for what he truly is (a sad, pathetic excuse of a man who had a golden opportunity and took it) and that sets us up to understand tongrak's journey (and it was a journey; its implied by the multiple flashbacks and tongrak's name that his mom tried for several years after he was born to keep jak around - so tongrak had jak's cruelty and physical violence and probably verbal snide remarks for years). it's why tongrak takes episode 10 to finally be free. its why we love tongrak so much, because mame helps us relate to him and how desperately he needed to be set free. and mame gives tongrak (and us) that with mahasamut. <3

[thatanimeramenchick]

Yandere Lucifer x Human Sacrifice Reader Pt. 2

Part One

Word count: 2,755

Originally requested by @hazbinlove

---

Your body was still suffering from your injuries when you awoke two days later. While not as intense as before, you could still feel that itching, burning feeling down your entire chest, which was now wrapped in gauze. You were in a soft bed, mind still reeling a little from everything that had happened. If it wasn’t for how sensitive your entire body still felt, you would have written the whole experience off as an ugly nightmare. Yet here you were, somehow still alive. Your first thought was that you must be in the hospital, but the room looked more like a nice apartment room, in line with a hotel suite. Someone must have found you half dead outside after the attack. That odd angelic figure you had seen, it must have been a dream.

That was what you thought as you lay in your uncomfortable position. Not too much longer later, the door opens, and in comes a man that looks vaguely familiar.

He was short, or at least shorter than most men you were accustomed to seeing.

“You’re awake!” he said.

He came into the room, holding a tray filled with breakfast food. You felt your stomach rumble as you saw that is had chocolate covered croissants and a bowl of fruit that looked delicious.

“… who are you?” you asked.

“Oh, I suppose I should introduce myself. I’m Lucifer,” he said.

“You’re… Lucifer?” you said, shocked.

Instinctively, you try to inch away as this sinks in your mind, but you don’t make it very far, only succeeding in wincing in discomfort. Your body was still fragile from the attack.

“Not what you were expecting?” he asked, with a small smile.

A feeling of fear stirred inside your stomach. This had to be a mistake. A trap. There was no way that this was actually the devil. Unless…

“Am I dead?”

“Dead? Oh, no, quite the opposite!” he said, “Somehow, despite everything that happened to you, your soul is still inside its original body. You’re alive.”

“Then why am I with you?” you asked, hoping that the horror you felt wasn’t too apparent in your voice and face.

“Well I couldn’t very well just leave you out there,” he said, “You were basically being tortured like that. You could have lost your mind that way, repeatedly dying and regenerating.”

You just stared at him in stunned silence for a minute. As you stare at him, you feel your memory aligning with the sight in front of you. You hardly remembered the sight you had seen, you had been in so much pain, but you had seen flashes of flame. A white, red, and gold figure, with an unnaturally eerie light. Was it really possible?

“How do you know about my… thing?” you finally ask.

“Well, the unasked for human “sacrifices” usually don’t survive that kind of stabbing. It seems that someone has put a spell on you,” he said, “It’s a seal of protection. No matter what happens to you, you eventually regenerate. Your body will heal any fatal injury, though, it appears that there are some remnants of the attack. Whoever cast it must not have had a lot of experience and didn’t really know what they were doing.”

The memories of your mothers tear filled yet hopeful eyes rushed back into your mind. Had she…?

“Is there a way to reverse it?” you asked.

“I’m not sure,” he said, “I suppose I would have to look through my grimoires, but it may take some time for me to look.”

He looks at you thoughtfully.

“You sure you want me to reverse it?” he said, “Most humans would kill to live on earth forever.”

“No. I haven’t even been alive that long, and I already know I never want to experience coming back to life after I die again,” you said.

He puts the tray down next to you on the bed.

“Understandable. I’ve had my own fair share of accidents and long recoveries,” he said, “I know from experience it can be quite unpleasant.”

As if to prove his point, you grimace as you sit up a bit more to eat. Your entire chest feels like it will rip back open if you’re not careful.

“I think you should stay here for a little while,” he said, fingers nearing your face. He stops just short of touching you though as he sees you tense, eventually drawing his hand away and behind his back. An awkward silence permeates the room.

“Anyway, you need time to properly recover after everything that has happened to you,” he said, “Get some proper rest. I’ll leave you to that.”

With that he walks out, closing the door.

---

“I have a little surprise for you.”

You had been bored as you slowly healed. After about a week and a half, you were able to get out of bed, but there wasn’t too much to do. Your “nurse” had provided you with some books to read and puzzles, but other than that, there wasn’t much to do but rest. Though, considering how tired the attack had made you, you supposed you shouldn’t be complaining that much. You were feeling much better now, and the dullness was setting in.

Today though, Lucifer had a certain look in his eyes as he sat on the edge of your bed. He closed his hands together. As he opened them, smoke pealed and a black cat curled out. The pretty little thing which slinked onto the bed and kneaded its paws on the soft fabric. You offer a smile at his attempts to cheer you up. You had to admit that there was a certain charm about him.

“You created that?” you asked.

“Well, technically no,” he said, “I can’t make anything out of nothing. But I may have borrowed him from somewhere else.”

He absently stroked the animal. Squirming a bit, your mind raced. He seemed to be in a decent mood. You had wanted to broach a certain topic in the last day or two, but you weren’t really sure how. You didn’t want to come across as ungrateful and upset him, but he seemed to be in a good mood. Perhaps now was the time.

“Um… so, I’m doing a lot better now,” you said.

“You are,” he said.

“And… I was wondering what you thought about me going back,” you said, “I think I’d be ok.”

He doesn’t say anything for a long moment. Unable to handle the awkward silence, you start babbling, rushing words out.

“I think I’d be able to handle it,” you said, “I can walk and take care of myself again. Thank you for all of your help, but I don’t want to bother you any longer.”

“You’re not bothering me at all,” he said, “I wouldn’t worry about that. Besides, I think it’s in your best interest that you stay somewhere where your safe.”

“Yes, but I can’t stay in here forever,” you said, “I don’t belong in here.”

While you had to admit he had been an attentive caretaker, you were tired of seeing the same four walls all the time. You needed to get out of here.

“…Perhaps not,” he said finally looking at you, eyes serious, “But I know that if I let you out of this building, some demon or other will get their hands on you and kill you. Or at least attempt to. And trust me, with the kind of sickos that end up down here, you do not want to end up in the wrong hands with an ability like that and no way to defend yourself. That will not be a fun time for you.”

“Er… I don’t mean out there. Can’t you just bring me back to the surface?” you ask.

He is again quiet for a long moment, a look on his face that you can’t quite place. He drums his fingers against his cane for a minute before sighing.

“Do you truly want to go back though?” he said, “You really think that’s a good idea? I mean, look what they did to you!”

He finally looks at you and waves his hand as if to dismiss your unspoken pleas, suddenly animated.

“You think no ones going to try something like this again?” he said, “That if that group finds out you survived, they’re going to be all huncky dory about it? That maybe they’ll just go ‘Oh, wowy, our little sacrifice went wrong. That’s a shame, let’s try a goat this time!’”

“Not all humans are bad,” you protest, “Plenty of us are good. I mean, you like me well enough.”

He scoffs at your words.

“Sure, I suppose some humans won’t try to take advantage of you, but just like down here, if the wrong one finds out about this little… gift of yours, and your best days on earth will rival some of the worst ones down here! Even well meaning humans might want to dissect you to find a futile way to live on earth forever,” he said.

“So what, you just want me to stay here forever?” you said, trying not to sound hysterical, “In fucking hell?”

“I mean, it’s really not so bad down here, as long as you’re with the right people,” he said, “And you couldn’t have better company. Eh?” You swear you hear a horn honk as he winks at you and shakes his elbow.

His attempt at joking optimism falls flat, with the horn sound making it only seem pathetic. The disappointment you feel must be showing on your face as he eventually sighs again and looks at you with condescending pity. It was the patronizing gaze an adult may give a child who is upset that they can’t have ice cream for dinner or an owner would give a pet that wants to jump out of a moving car.

Silly little thing. I’m sorry you’re so angry, but this is for your own good.

“I’m not a child,” you finally say, which only causes him to chuckle softly.

“No, you are not a child. It’s simply that I’m thousands of years old, and you’re what? In your mid-twenties, I would guess. It’s not as if I have more experience with the world or how humans work,” he said.

You glare at him.

“What? Don’t look at me like that! You know it’s true,” he said, “People with something special to offer tend to only attract the worst kinds of attention. Trust me, I know.”

“And I’m supposed to expect that your intentions are pure?” you said, before you could think better of it.

Rather than anger though, his face contorts to one of hurt.

“F/N, I’m sorry if I’ve ever done anything to give you the impression that I want anything from you,” he said, moving closer to you and resting his hand on yours, “I know you’re not thrilled about this situation, but you were left for dead as a sacrifice. I couldn’t have just let you suffer, it wouldn’t have been right. It’s only proper that I take responsibility for what happened to you.”

You just continue to glare at him, but a part of you hears a degree of reason in his words. You feel some guilt tighten in your chest. Perhaps you were being unreasonable. This only makes you angrier though, at him and yourself. You don’t want to concede to him.

“I just don’t want anything to happen to you,” he said, “I know what it means to go one and on forever, and there are things that are much, much worse than death. Trust me.”

He’s moved so close to you now that your noses almost touch.

“Please try to understand. I’m doing this because I truly care for you. I would hate it if something happened to you,” he said.

As he speaks, he traces the edge of your chin with his fingers, and you suppress the natural urge you have to pull away. No aggression is in his eyes, only a certain pity and tenderness. He stares into your eyes like this for a moment before unexpectedly, gently and softly, he presses his lips to yours.

Wait, what?

It’s so unexpected that you freeze up in a sort of shock. You don’t even push him off of you, just hold still as he caresses your mouth with his own. Seeming encouraged that you haven’t pulled away, he moves his hand from your chin to your hair, stroking it and guiding it closer to him. It feels… pleasant. Nice. You hadn’t noticed, but at some point he had brought his other hand to your side and was slowly drawing it up your stomach, up to the side of your breast, not touching anything too intimately. Somehow, this felt more forbidden than if he had touched you more sensually. Slowly, you allow yourself to open your mouth, as if to deepen the kiss, and your fingers reach up to his shirt and rest against his chest.

Until you remember that you’re kissing the literal devil.

When that sinks in, you shudder and wretch your face away from him. He looks surprised, but allows you to do so.

“What are you doing?!” you screech.

“Um…”

“What on earth?” you cry out, horrified, “Why did you do that?!”

He looks a bit baffled for a second, “Did you not like it?”

“Yes! I mean, no! I mean- I-I… Don’t do that again!” you said, “I didn’t like it.”

“… All right,” he said, “If you say so.”

You feel your face heat up as you break eye contact for a second, and while he moves away a little, as if to respect your space, you catch a bit of a satisfied light in his eyes at your blushing.

–-

Lucifer ignored the pang of guilt in his gut. It was easy to squish, like an ant beneath his outstretched finger. There for just a second, and then crushed with no hope of resurrecting. He’d had plenty of practice ignoring the things he didn’t want to pay attention to, and this was no different.

You were so naive. To anyone with a hint of demonic knowledge, they would know it would be quite easy for him to remove the spell. With a few exceptions, nearly every curse that was cast could be reversed one way or another, and yours was no different. It would be child’s play for him to remove the spell and return you to your home. He was the king of hell after all.

You didn’t need to know that though.

So long he had lived life alone. He and Lilith had parted ways long ago, and he hadn’t really found anyone else. The hellborn, while at times enticing, lived short lives compared to what he had. They weren’t eternal, and they often fell under the influence of the sinners. Too many times a well meaning demon had been led on a less than savory path.

Even without that problem though, connection was so difficult for him. There was a part of him that almost seemed to disassociate whenever he was around others, even those he cared about. Yet here, with you, things were so easy. You had been literally handed to him as a gift, and your helpless ingenue personality had rekindled the softer, more romantic side of him. Perhaps he was being selfish, keeping you like this, but it wasn’t as if he couldn’t recompense for whatever frustrations you were feeling.

Though for now you claimed that you didn’t like him, he could see the embarrassed desire in your eyes. Not that he would humiliate you for it. He would draw that desire out from you until it flowed from you as naturally as a river flows downstream. Already you were kissing him back, even if a bit shyly, and at this rate he was sure that he would soon have you acquiescing to more intimate expressions of his affection.

Yes, you were a little peeved now, but you’d get over it. It wasn’t as if you really knew what you wanted anyway. Humans were so difficult. Give them free will and let them do what they think they want, and they still screw it all up. They were so foolish, falling for delusions and falsehoods so easily. He couldn’t let that happen with you.

[modanisgf]

025. DIMPLE (HALF WRITTEN)

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it was extremely late, the moon was out and here you and hanni were on your roof. talking about anything you two could think of, peaceful silence arriving every so often.

you couldn’t help but contemplate what it would be like to actually date hanni, the thought of her lips on yours being reoccurring now.

hanni was currently ranting about sm entertainment, something about one of their boy groups coming up in topic. you didn’t know a lot about kpop idols but you listened intently, later learning about how shitty sm was.

you found it cute how passionate hanni was about her interests, the way her eyebrows furrowed in anger as she ranted on about how much she couldn’t stand the company.

“and now they’re rerecording one of their original songs.. still zero explanation on if he’s coming back or not.” hanni finished, you two made eye contact as she refocused her vision.

“yn.”

“hm?”

“you look really pretty.” hanni says, causing you to lose your balance on the roof for a minute— the girl next to you holding your hand.

“shit sorry, that caught me off guard. thank you..” you say, embarrassed. you never would know how you managed to always embarrass yourself in front of hanni..

“well obviously,” hanni laughed, “be careful pretty.”

after that comment you thanked god that it was dark out, the darkness hiding your face as you fought back a smile.

“i will sorry.” you say, hanni nodding.

hanni was now looking at the stars, holding your hand tight as she looked at the sky amazed by all its beauty.

“have you ever thought about us before?” hanni suddenly asks, creating more tension between you two.

“like in what context?” you ask.

“if we were to actually date.” she says quietly, but loud enough for you to catch it.

“i do, a lot.” you say, turning to look at her.

“do you?” she asks, making eye contact.

“yeah, i wish it was reality..” you mumble, hanni still managing to hear you.

“why don’t we make it reality?”

the next few moments were silent, both of you hesitant on making the next move. but you soon spoke up already feeling confident—

“can i kiss you?”

“please.”

the kiss was sweet but short, and it allowed you to finally understand your feelings for hanni.

you were sickeningly in love with her, and you wouldn’t have it any other way.

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a/n— we did it!! last slide is hanni texting yn

[allwaswell16]

[4 pics, 4 quotes, 4 iconic 1D fics]

Iconic fics by ...

- disgruntledkittenface -

[1]

“So,” he says casually, looking from Nick back to Louis, “you and Nick didn’t come back to the bar last night.”

And the sentence just hangs in the air between them, like an accusation. Louis can practically see the effort Harry’s putting in to keep his face neutral, but the intense frog expression creeps its way back in. And suddenly Louis get it.

Harry is jealous.

He wants to laugh. It’s preposterous to think of, being jealous of Nick of all people. Nick who can see Louis’ feelings for Harry written all over his face and in everything he does.

“Yeah, after we went for a smoke, I just felt like going home,” Louis explains, biting back a smile. Knowing he’s not being clear enough, he continues, “Nick just walked with me, stretching those ridiculous legs of his, I guess, but Liam picked him up as soon as we got back to my apartment building.”

Harry is still glowering. It’s ridiculous. It’s so fucking cute. Louis is so fucked.

[2]

“I do! We do,” Harry says, looking at Louis, who smiles warmly at him. “I just always thought I would adopt, but I guess I see the issues here for, like… succession?”

“Yes, my successor has to be a biological relative,” Louis says gently. “Lottie wants no part of it, that’s why she was so eager to donate eggs. And I’m not sure if she’ll have children of her own.”

“It is actually a matter of state,” Hervé adds, not unkindly. “Securing the line of succession secures Monaco’s status as an independent principality. If there is no biological heir, upon the prince’s passing then the state would be absorbed by France.”

“Oh, fuck,” Nick mutters, summing up how Harry feels. Well, he wasn’t wrong when he tried to tell Harry what a big fucking deal all of this would be. 

[3]

“Sorry to bother,” he says lowly, dripping sarcasm. “But would you mind shutting the fuck up? You’re ruining the show for the rest of us with your passive-aggressive bullshit.”  

Harry automatically twists around to see the couple’s response; it looks like husband is gearing up for a retort, but there are quiet murmurs of agreement from the people around them, and the man on his seatmate’s other side even claps him on the back in thanks. Chagrined, the couple slump down in their seats, their lips unhappily sealed.

Harry turns to the man next to him, who’s already looking at him from under the smudge of long, dark lashes that frame his blue eyes. A slow grin overtakes Harry’s face as he meets the man’s steady gaze. For once his words don’t fail him, and he leans in just close enough so the man will be able to hear him as he whispers “thank you.”

[4]

“Is that another new tattoo, Z?” she asks, reaching out and gently turning Zayn’s arm to get a better look. “Oh, yin yang, right?”

Louis immediately squeezes Harry’s thigh, turning to her with wide eyes, but Harry’s too busy fishing for a thin slice of cucumber at the bottom of her glass to register what’s happening. Zayn is still holding her arm out so Liam can see the tattoo when she glances up and Louis pointedly looks from her to the tattoo and back again. Harry’s confused face is adorable, she looks like a disgruntled kitten trying to surmise what Louis is attempting to silently communicate. It takes a minute, but understanding finally dawns in her eyes and she claps her large hand over her mouth, her shoulders shaking with laughter.

“What?” Zayn asks, throwing a dirty look at them.

“Nothing,” Louis manages in a strangled voice. “Nothing! Great tattoo. Harry? Shall we?”

- Answers Below -

[1] you came into my life

They stand around talking for a minute and then Jonathan starts to ramble, “Has there ever been, like, an unrequited gay love story in here? Like a Brokeback Mountain moment where, like, someone just fell in love and they didn’t mean to?”

Louis feels bile rise in his throat as Jonathan’s eyes sparkle, pleading for a yes. He manages to look around and see thoughtful looks on his coworkers’ faces before their heads shake no.

“Not here,” Liam says finally.

When the Queer Eye cast and crew sweep into Louis’ small town and fire station to make over his best friend and coworker Liam, Louis’ carefully constructed walls start to fall down and he has to face his fears – and the only guy he’s ever been able to see a future with.

[2] Darling, so it goes

Harry Styles is a world-famous actor at the height of his career but a personal low point when he meets His Serene Highness Prince Louis of Monaco by chance. He doesn’t think they’ll ever see each other again, but after striking up a correspondence, it turns out they have more in common than he thought. Then they start to fall for each other. Louis is different from anyone Harry has dated before and their relationship moves fast as Harry realizes he’s ready for a change. Soon Harry finds himself adapting to an entirely new life, in a country where he doesn’t know the rules, the customs, even the language. Harry is used to people underestimating him, and he’s more determined than ever to prove them wrong.

He just needs Louis to meet him halfway.

Grace Kelly AU.

[3] just one look (and i fell so hard)

Louis takes a small step back, breaking the moment first. “Well, I should–” 

“Do you want to come up?” 

The words are out of Harry’s mouth before he’d even planned them, and he bites his lip.  

“Oh, thank god,” Louis laughs, stepping back into Harry’s space. “I wasn’t, um…” 

“Wasn’t ready to let go of you yet,” Harry finishes quietly, glancing up at Louis. 

“Yeah,” Louis nods, reaching up and twirling one of Harry’s curls in his fingers. “Yeah, exactly.”

Harry has wanted to go to the Shubert Theatre ever since he moved to New York and lucked into a rent-controlled apartment just outside of the Theatre District. When he finally gets his chance, he hopes the night can meet his sky-high expectations. But the last thing he could have expected was the man seated next to him.

[4] i must admit i thought i'd like to make you mine

Louis fell apart when her ex broke up with her and moved across the country. Just as she’s starting to move on, Zayn comes back to town for their mutual friends’ wedding – with a new girlfriend as her plus one.

Blindsided and scrambling to save face, Louis lets herself get talked into a fake relationship with her new friend Harry. Their arrangement makes Louis feel pathetic and embarrassed, but it’s only going to last a few weeks. She just has to get through the wedding – what could happen?

[dykedvonte]

idk if you've written any head cannons about this before but i'm curious what your thoughts are on arcades previous relationships

I think this is a very interesting question because we can even know if he had previous relationships? I don't know if you want platonic or romantic, so I will answer vague enough to fit both.

Arcade is a man that wants to be reserved and self-assured. When he first vaguely tells you about his past you can 100% tell he is very mournful of something and I really think its partly him not knowing his place in the world and being incredibly lonely. One of the ways you can recruit him is literally just by being gay and showing interest. That's not someone who is used to having deep, long lasting relationships of any kind. He never mentions friends his age growing up or otherwise and he is honest (once he opens up) about how he is considred too young to be taken seriously by the older remanents when enlisting their help (Imagine like trying to be friends with your much older aunts and uncles who like wiped your ass).

He is desperately trying to find a place and I feel like that applies to being among people as well, I mean he does hide himself in a tent with the followers. When I think of his past relationships I think of fleeting hook-ups or abrupt endings with him often being the one to do the skedaddling or walk of shame to wherever he was residing at the time. I say shame becasue I know he'd want to stay and get close but he's just too scared. It's understandable when 75% of the factions would want you dead due to your family lineage... even if you had no part of their actions. He has so much baggage and hang-ups I don't think he thinks it'd be worth it to unpack that with a friend or lover.

But since your asking what I personally think his fleeting, wasteland relationships were like here's my thoughts:

Most of his relationships (friendships and otherwise) started occurring later in his like, likely his early to mid-twenties. He had seen Enclave remnants be hunted and those who survived did so by staying alone...

His first friend was a wasteland girl who liked how well-read he was. It wasn't so much a traditional friendship but like two people who frequent the same places a lot. He provided the closest thing she was getting to an education and she provided pleasant conversation.

They barely knew anything deeper than each other's names or the topics they discussed but Arcade had never had a non-enclave friend before so it meant everything to him.

She was inspired to get a formal education and do something with her life and thanked Arcade before leaving to go do that. Arcade liked the feeling of helping and sought out ways to do that.

His first kiss is actually how he got into the followers in my head. It was the first chance he took to form a relationship outside the remnants and he wanted to follow him (him as in his lover). He wanted to join a diplomatic Follower group in the NCR and Arcade was terrified of being that close.

Following the last point it was a big blowout fight because Arcade refused to explain why he didn't beyond "Aren't we fine here?" and received a very harsh reading about his inability to open up.

His first actual boyfriend was a king gang member that liked to brag about how he was dating the smartest follower on this side of the wasteland. Arcade felt bad cause he knew he was only dating the guy cause he was crushing on The King at the time and the guy made him feel good with all the praise.

He broke it off under the guise that his work made him feel like he was being neglectful to their relationship and due to the kings' strong sense of duty/principles he understood

Gave Arcade his fav hair comb as a token of no hard feelings and Arcade felt extra bad cause it was like the one real and safe feeling relationship he had and he hated it was built on lies and half-truths.

Hence why he only tells the Courier half-truths, both is too much

After that he made a rule to only have FWBs and casual friends.

This worked as well as you think it did for a man like Arcade.

Most of the people he "dated" (weird coy flirting until he shut them out when they asked something deeper) were all people who wanted to go somewhere with him. He has a deep desire to live, experience and find himself but never has the courage to commit

This explains why you can so easily recruit him with flirting and promising to whisk him away into adventure. (Daddy issues much?)

All his "friends" were either the socially weird Followers who never asked much or people who were passing through and wouldn't question the random guy they hung out with for a bit knows too much about energy weapons or power armor or that old defunct faction that almost killed everyone with evil water... twice.

Silly Headcanons is he loves to rag and joke and is a little shit. He has a chip on his shoulder about how smart he is but he's never a direct jerk about

Not a touchy friend but he clings and hovers around partners and people he has a romantic interest in. Hand brushes, pats, standing close, and wanting to be very involved. Sad but he really wants a connection and even a small sign is enough to make him lose his sensibilities.

He hates it but he knows he's touch and emotionally starved so sometimes he allows himself to get a little lost in the love sauce.

Prefers friends and partners that are a little dumber than him. This has nothing to do with anything, dude is just attracted to idiots platonically or romantically.

This post is long just because I need to explain just how I think these characters think. Arcade is a guy who wants to be gay and own a garden and drink a glass of non-irrated wine with his friends while snarking to his partner. But he's also affliated with violent war crimminals and genocidal factins and settles for just trying to give that life to someone else.